Kimberley Jones on Muck Rack

Kimberley Jones

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Austin
As seen in: The Austin Chronicle, The Guardian, MDPI, Implementation Science, Western Mail, Metacritic, EIN News, NewsBreak, Inlander, Dialnet - Universidad de La Rioja, Isthmus and
Editor-in-chief & film critic at @AustinChronicle Opinions/dog glamour shots all on me.

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Articles

Time and Water Review: Goodbye to All That

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By Kimberley Jones 
| The Austin Chronicle
From fire to ice: Sara Dosa follows up her 2022 Oscar-nominated documentary about doomed volcanologists, Fire of Love, with a contemplation of Iceland’s melting glaciers and generational memory. Instead of a portrait, Time and Water takes the form of a personal essay, told in first-person narration by Icelandic poet and author Andri Snær Magnason to an audience in an undefined future. “I am 53, speaking to you from the year 2026,” he begins.
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Silent Friend Review: Tree of Life

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By Kimberley Jones 
| The Austin Chronicle
I didn’t discover Hungarian filmmaker Ildikó Enyedi is in her 70s until after I watched Silent Friend, her two-and-half-hour meditation on the mysterious communion of humans with the natural world, but it certainly tracks: Silent Friend has the unhurried pace and admirable long view of someone who’s seen a lot of life – not unlike the titular friend. The silent friend is a tree. A ginkgo biloba, to be specific.
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Blue Heron Review: Some Things Last a Long Time

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By Kimberley Jones 
| The Austin Chronicle
Within the family at the center of Blue Heron, the black sheep is a blond. Fair-skinned teenager Jeremy (Edik Beddoes) is an outlier among his siblings, two jostling preteen boys and watchful, 8-year-old Sasha (Eylul Guven), who are all darkly featured and take after their Hungarian parents (Iringó Réti and Ádám Tompa). Jeremy’s hair color doesn’t really matter, of course, but the contrast makes a useful shorthand for Jeremy’s otherness. If “other” sounds inexact, that’s the point.
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