Kyle Simpler
As seen in:
All About Jazz
Covers:
Jazz, blues, progressive and classic rock, world music, guitar history and culture, album reviews, independent labels, vinyl culture, Record Store Day, archival and reissue projects.
Doesn't Cover:
Mainstream pop, EDM, hip-hop, country, lifestyle content, product reviews, and general entertainment news.
Interview
How is social media changing news?
Social media has made news more accessible and interactive, which is largely a good thing. But it’s also a tool that tends to reward speed and reaction. In music journalism, I think it’s important to pair that immediacy with careful research and thoughtful commentary, so the focus stays on understanding rather than hype.
What does it mean to be a journalist?
To me, being a journalist means paying close attention and helping readers see something more clearly. It involves curiosity, research, and a responsibility to present a subject with fairness and context. I try to approach music with honesty and sincerity, offering thoughtful perspective without resorting to harshness or provocation. At its best, journalism connects readers to something deeper while respecting the work and the people behind it.
What's the funniest news-related #hashtag you've seen?
I have to admit I’m not much of a hashtag follower, so I’m probably not the best guy to ask on that.
How do you prefer to be pitched on stories?
Email is best. I appreciate concise pitches that explain why a project fits my coverage, along with context about the artist or label. Relevant links are helpful, and I prefer not to receive large attachments.
What story are you most proud of writing or working on?
I’m especially proud of a piece on jazz’s influence on early reggae and ska. I enjoyed the research, but what made it meaningful was uncovering connections that aren’t obvious at first glance. That article became the foundation for my Groove Orbit column, where I continue exploring how musical traditions intersect in unexpected ways.
What's the best pitch you ever got?
The best pitches I’ve received have felt personal in the sense that the sender clearly understood my work. When someone reaches out because they trust my approach and believe a project truly fits my interests, it makes a difference. That kind of thoughtful, targeted pitch always stands out more than a broad press blast.
What's the worst pitch you ever got?
Generic mass emails that show no connection to my coverage are the least effective. It’s always more compelling when there’s a clear sense of alignment.
What's your favorite drink?
Coffee.
When you're not at a computer, where are you most likely to be?
Usually listening to records, practicing guitar, or reading. Even away from the computer, I tend to circle back to music and books.
What's the most common misperception about your beat?
Many people assume music writing is mainly about personal taste. In other words, as a writer, you’re deciding what works and what doesn’t. While opinion is part of it, I believe music deserves more than a simple “good or bad” verdict. Context, history, and careful listening often reveal layers that go beyond an immediate reaction.
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