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Ladan Osman on Muck Rack

Ladan Osman

As seen in: Poetry Magazine, Literary Hub, Poem-a-Day, The Paris Review, Daily Maverick, The Rumpus, PassBlue, Narrative Magazine, World Literature Today, The Offing and
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Articles

Kyong Boon Oh and Walking the Path

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By Kimiko Hahn, Ladan Osman
| The Offing Verified
Audio of Oh chanting in tongues, which is part of her process when working with wire and stone: https://theoffingmag.com/wp-content/uploads/2024/09/0.Kyong-Boon-Oh-for-Offing.mp3 ◆ I had set out on my way to find a waterfall. I had walked and walked through the desert. And suddenly I realized that I forgot why I had searched for the waterfall. Then even I forgot the fact that I had searched for the waterfall. Only walking itself remained. It was a prayer, searching for a path.
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Everything That's Not Now Feels Like Fiction

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By Rachel Valinsky, Yusi Liu, Divya Gangwani, Ladan Osman
| The Offing Verified
Aki Sasamoto’s work approaches moments of transformation and change: from the transition of a substance’s form due to weather conditions in her performance and installation, Phase Transition (2020), to the conditions under which a material breaks or reaches its tensile capacity in Yield Point (2017), she works across mediums and with humor, developing an idiosyncratic approach to artistic research.
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Ladan Osman's Halos in Harlem

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By Ladan Osman, Kimiko Hahn
| The Offing Verified
For this installment of The Offing FEATURES, we invited multi-hyphenate artist and former contributing editor Ladan Osman to share the process behind her photography. Here are her reflections on meeting Ashley, Michael, and Candace — portrait subjects in Osman’s series Halos in Harlem — through a 35mm lens. (We encourage you to click on each image for an expanded view.) ◆ Years ago, I’d look through photobooks and think: great composition, beautiful work in the darkroom, wow what a scene.
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