Louise Gray on Muck Rack

Louise Gray

London
As seen in: New Internationalist, The Wire, Bloomberg News, Daily Mail, Taylor & Francis Online, The List (magazine), Daily Press (Newport News, VA), Kirkus Reviews, BusinessGreen, Pittsburgh City Paper, slowfoodusa.org, Wicked Leeks and
Aka Louise Marshall. Lecturer, CRiSAP, LCC, UAL. Writer @ The Wire, New Internationalist, Musicworks+. Jam-maker. @DrLouiseGray@mstdn.social; @lcagray @Threads
Is this you? As a journalist, you can create a free Muck Rack account to customize your profile, list your contact preferences, and upload a portfolio of your best work. Claim your profile

Get in touch with Louise

Contact Louise, search articles and posts on X, monitor coverage, and track replies from one place.

Learn more about Muck Rack

Actions

Share this page

Is this you?

As a journalist, you can create a free Muck Rack account to customize your profile, list your contact preferences, and upload a portfolio of your best work.
Claim your profile

Articles

From the Gutter to the Stars

|
By Ali Millar, Louise Gray, Lindsay Johnstone
| Bella Caledonia Verified
lower case highlights cultural events, new releases, publishes short reviews and recommendations for works across all genres. Our focus is on small and micro press, radical publishers, and events from independent bookshops. Readers & bookshop events suggestions welcome. Contact us here.
Open in Who Shared Issue with article?

All Ears - The Wire

|
By Louise Gray
| The Wire Verified
This is a piece that I never anticipated writing. Dictating from a hospital bed, I am thinking about how I might inhabit sound and music instead of them inhabiting me. This involves a radical shift from listening to and internalising music, to being held externally in a sonic landscape. Surprisingly, the constant bleeps of hospital machines and the bustle of people often have relatively little impact on my thinking.
Open in Who Shared Issue with article?

Beyond the Audible: Éliane Radigue’s OCCAM works and Inter/Listening

|
By Louise Gray
| Taylor & Francis Online
ABSTRACT This article focuses on Éliane Radigue’s OCCAM compositions in terms of sound, space and relationships, arguing that a new type of listening is required to fully understand the sonic world that these acoustic works create. This listening requires an understanding that sound is but a single part of a larger vibratory network. As Radigue herself makes clear, sound is not only what is audible, but one range of frequencies in the electromagnetic spectrum.
Open in Who Shared Issue with article?
See all 38 licensed articles (44 Total)
 •  Privacy  •  Terms  •  Security and Legal  •   •   •   • 

© 2026 Muck Rack

SOC 2® Certified