Mark Feeney on Muck Rack

Mark Feeney

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As seen in: The Boston Globe, MSN, Slate, Smithsonian Magazine, Wales on Sunday, Metacritic, Portside
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Articles

Fighting words — the Revolutionary kind

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By Mark Feeney 
| The Boston Globe
William Stone, "In Congress, July 4, 1776: the unanimous declaration of the thirteen United States of America," 1823.Boston Public Library Fireworks, the pyrotechnic kind, are what’s most commonly associated with the Fourth of July: loud, colorful celebration. A more fitting association would be with words, the fighting kind: loud, polemical cerebration. Five new exhibitions keyed to the imminent 250th anniversary of American independence remind us that the Revolution really was a war of words.
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‘From Iran’ presents stunning and heroically scaled images of events for which there are no visual records

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By Mark Feeney 
| The Boston Globe
The heroically scaled images in Azadeh Akhlaghi’s “From Iran: A Visual Testimony” are stunning. One look, and you keep looking. They’re also disconcerting, twice over. Some of that is intended: The pictures are a bravura demonstration of that next-to-last word in the show’s title. Some of it’s unintended: The images also raise questions about that concluding word in the title. “From Iran: A Visual Testimony” runs at Harvard’s Peabody Museum of Archaeology & Ethnology through March 21.
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Remembering Sonny Rollins, a dominant, towering presence in jazz

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By Mark Feeney 
| The Boston Globe
Has there ever been a more justified nickname than “Saxophone Colossus”? That’s what people called Sonny Rollins. Of course they did. Yes, it was the title of a 1957 Rollins album, but the album wouldn’t have had that title – couldn’t have gotten away with that title – if it hadn’t been a statement of simple fact. “Saxophone Titan” could have worked, too, except in Greek mythology there were 12 Titans. There was only one Sonny Rollins.
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