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Lançado no Festival de Sundance, filme tem ótima história de amadurecimento Destinado a competir por um lugar no panteão de ótimos filmes sobre perda de inocência e amadurecimento, Josephine – longa-metragem exibido no Festival de Sundance e dirigido pela sino-americana-brasileira Beth de Araújo – se destaca especialmente por capturar e traduzir a bagunça emocional inerente a este processo.
When eight-year-old Josephine (Mason Reeves) witnesses a rape in San Francisco’s Golden Gate Park early one Sunday morning, the horrifying event – depicted fully on screen at a slight distance – has understandable repercussions. In writer-director Beth de Araujo’s devasting second film, the man who committed the vile act is almost immediately apprehended, partly thanks to Josephine’s quick-thinking and fast-running father Damien (Channing Tatum).
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Eine Filmkritik von Joachim Kurz Gut gemeint, nicht immer gut gemacht Mit Vorschusslorbeeren ist das so eine Sache. Einerseits dienen sie häufig als erste Richtschnur, ob ein Film die notwendige Aufmerksamkeit bekommt und mit auf den Postern und in den Trailern aufgeführten internationalen Preisen und Auszeichnungen sein Publikum auch hierzulande zum Kinobesuch bewegen kann.
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