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Molly Lipson on Muck Rack

Molly Lipson

London
As seen in: MSN, The New York Times, The New York Times en Español, Business Insider, Business Insider Africa, Entrepreneur, VICE, Vox, Agenda (World Economic Forum), Flipboard and
Freelance writer but that's not my ✨whole✨ personality. Bylines in @nytimes, @VICE, @voxdotcom + more Lit agent: @serenadams at @unitedagents
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Articles

Inside Parkuir: the art project queering sport, space and our bodies

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By Molly Lipson
| Huck Magazine Verified
On a cool February evening in Alicante, I find myself looking up at a strange sight. On an inconspicuous street on the edge of the Mercado neighbourhood is a building that’s both number 29 and number 27. The address of the building could be either of the two, because it is both, and therefore, also decidedly neither. The brass digits of the ​‘27’ sits in a wooden circle at the very top of the door itself, between two panes of glass reflecting palm tree fronds blowing gently in the breeze.
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EXCLUSIVE FIRST LOOK: Stills from ‘Aja Monet: Live at the Blue Note, NYC’, a film by All Rights Aint Reserved

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By Molly Lipson
| short-stuff.com
Set during her sold-out residency at the historic Blue Note Jazz Club, this intimate short film follows Grammy-nominated poet Aja Monet as she moves between performance and stillness, transforming the stage into a space for vulnerability, resistance, and connection. Captured entirely on film, the piece observes the quiet moments behind the voice as much as the electricity of the room itself, creating an immersive reflection on presence, artistry, and what it means to truly be heard.
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EXCLUSIVE: Dmitry Everdeen and Sam Mac to lead London tech thriller ‘Greenlight’ alongside Nishad More, Yves Rassou and Adam Broomfield-Strawn

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By Molly Lipson
| short-stuff.com
Greenlight, the second short from London-based New Zealand writer-director Nara Toktoshova (Friendship Was a Safe Bet), centres around Igor, a recent immigrant and engineer at a fast-growing London delivery startup. When the higher ups in the company start removing safeguards from Igor’s codes and secure political leverage to delay worker rights’ bills, he finds himself trapped between his conscience and the people who control his future.
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