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Javier Ocaña on Muck Rack

Javier Ocaña

Verified
Spain
As seen in: El País, MSN España, 20 Minutos, El Diario, Semana, Europa Press, FilmAffinity, Heraldo de Aragón, Vozpópuli, Las Provincias, Dialnet - Universidad de La Rioja and
Crítico de cine de 'El País'. También en 'Historia de nuestro cine' (La2), y 'profe'. 'De Blancanieves a Kurosawa: La aventura de ver cine con los hijos'.
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Articles

‘La última ronda en Venecia’: la nueva (y rara) sorpresa del cine italiano

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By Javier Ocaña Verified
| El País Verified
En una secuencia de La última ronda en Venecia, singular comedia dramática del desconocido para casi todos Francesco Sossai, sorprendente ganadora de ocho premios en los últimos David de Donatello (los Goya italianos), uno de los personajes, entre unas copas de vino y unas tapas de salami junto a dos amigos, define la teoría económica de la utilidad marginal: “La cantidad de satisfacción que ofrece una dosis de un bien consumido”.
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‘Spider-Man: Brand New Day’: El chico araña es ahora un triste adulto atado por el trabajo

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By Javier Ocaña Verified
| El País Verified
El tiempo es lo que tiene: que se va. Te descuidas y se te han escapado la adolescencia, la juventud, la frescura y el ímpetu. Le pasa incluso a Spiderman.Le ocurre hasta a Tom Holland, magnífico actor, con su eterna cara de pillo simpático y noble.
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Decapitated heads and mutilated frames: Why ‘The Odyssey’ can only be fully appreciated in a handful of cinemas worldwide

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By Javier Ocaña Verified
| El País Verified
The most famous line in film history about shooting and projection systems was uttered by Fritz Lang in the 1950s: “Cinemascope is only good for filming snakes and funerals.” In an era when people were beginning to stay home to watch television, cinema was plunged into crisis and the industry tried to respond with more spectacular systems to lure audiences back to theaters.
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