Raposo Grau

español En el cine, la arquitectura aporta un valor añadido que puede influir en el impacto visual de laspelículas, constituyéndose como un elemento esencial de la narrativa. En este contexto, el artículo analizacómo Stanley Kubrick emplea la arquitectura en El resplandor como herramienta narrativa, integrándola enel encuadre arquitectónico para modelar la percepción del espectador y reforzar la atmósfera psicológica delfilme.

1. Introduction The conception of the first architectural idea occurs in two successive phases, ideation and configuration. In the ideation phase, the first ideas are generated, and in the configuration phase, such ideas are concretized in architectural figurations [1]. This process has traditionally occurred through drawing. Models could also have been used as the first generators of the idea if their construction occurred with the same naturalness and ease with which sketches are made [2].

Resumen There are multiple communicative strategies in architecture depending on the target audience. The mechanisms of representation may radically vary when the recipient is the client, the constructor, the curator, a colleague or even an instructor (1). As an example, the approach may be mainly visual when the target is the client. However, it may be strictly structural to start a conversation with a peer ad mostly conceptual when pointing to the jury members in a competition.