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Salomé Saqué

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Articles

Translation as an Intercultural Bridge – Part 2

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By Sébastien Dubreil, Salomé Saqué Verified, Ellie Karthaus
| Pittsburgh Review of Books
This week the Pittsburgh Review of Books will be publishing an experiment in collective translation featuring a French-language original literary text, its translation as rendered by students in Carnegie Mellon University Teaching Professor Sébastien Dubreil’s course “L’apprenant comme locuteur/acteur” or “The Learner as Speaker/Social Actor.” Part 2 is below.
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The Long Goodbye

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By Salomé Saqué Verified, Ellie Karthaus, Paul Starobin Essays
| Pittsburgh Review of Books
Fiction has “lost its ambition,” Sam Kahn says in a recent piece on “Castalia,” his popular newsletter. “It’s lost its centrality to the culture.” I agree with the broad thrust, with an exception I’ll get to later. Kahn is thoughtful about this, and I happily chewed over the topic with him recently on my podcast. And yet. This point, expressed in various ways, has been out there for a long time.
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“Damned naughty Gertrude”

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By Cecilia Konchar Farr, Salomé Saqué Verified, Yukiko Ito
| Pittsburgh Review of Books
One thing we want to emphasize for everyone reading this is that Gertrude Stein dominated American literary modernism in the early twentieth century. There was no one more committed to discovering what the modernist aesthetic, the desire for new forms and approaches, could do to literary writing. Could a novel look like abstract painting or sound like atonal music? Could literature make space for human psychological complexity and a post-Darwinian understanding of our place in the natural world?
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