Skip To Main Content
Sasha Sloan on Muck Rack

Sasha Sloan

As seen in: The Times of India, Disney Publishing, Cosmopolitan, Common Sense Media, StyleCaster, Kirkus Reviews, The Peak, Passion Passport, All-Noise, babab.net and
Is this you? As a journalist, you can create a free Muck Rack account to customize your profile, list your contact preferences, and upload a portfolio of your best work. Claim your profile

Get in touch with Sasha

Contact Sasha, search articles and posts on X, monitor coverage, and track replies from one place.

Learn more about Muck Rack

Actions

Share this page

Is this you?

As a journalist, you can create a free Muck Rack account to customize your profile, list your contact preferences, and upload a portfolio of your best work.
Claim your profile

Articles

The Ruins Beneath Us

|
By Sasha Sloan, Victoria Quistgaard
| Common Sense Media Verified
age 15+ Blood, swearing in exciting elves vs. humans romantasy. Parents need to know that Sasha E. Sloan's debut novel The Ruins Beneath Us is a romantic fantasy novel about an elf, Lyria, who ventures from home hoping to help stop the Long War and be with the man of her dreams, Fin. There's violence and gore right off the bat, as Lyria meets Fin while he's fighting a daemon and he's grievously injured.
Open in Who Shared Issue with article?

An Expanse of Blue

|
By Sasha Sloan, Jenny Moore, Maija Hurme
Via distinctive and emotionally resonant verse, Adams crafts an evocative story about identity, devotion, and belonging. Seventeen-year-old Aouli Elizabeth Smith dreads attending Catholic Mass with her intimidating father, passive mother, and dismissive older sister. Relief comes in the form of her great-aunt’s home, a hub for the Hawaiian community in Hawk Valley, Wash., where her father occasionally softens.
Open in Who Shared Issue with article?

Every Space Between

|
By Nicola Winstanley, Naseem Hrab, Sasha Sloan
| buff.ly
Attentiveness underpins Hrab and Martz’s celebration of life’s countless liminal stages: “Sometimes/ we notice these spaces,/ and sometimes/ we don’t./ But they’re worth/ a closer look.” Opening text uses page turns to give readers a firsthand lesson on the beats between events, while subsequent sensorial examples describe in-betweens as feeling “as sweet and swift/ as the moment before/ your dad’s kiss/ meets/ your forehead” or “as/ long/ as the time it will take/ to slice” a cake.
Open in Who Shared Issue with article?
See all 35 articles