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Articles by Ted Dodson
BOMB 161, Fall 2022
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... WONDER
⚪An Orange by Ted Dodson ⚪Prayer Is Whatever You Say On Your Knees ⚪Summer of Poetry Sticker [2 Pack] ⚪I Can Be The Dad I See by Allison Brainard ⚪Sick of the Discourse / Blue Sky [poster] by Ben Fama / Ted Dodson ⚪A New Heaven And A New Earth by Chariot Wish ⚪Porn Carnival: Paradise Edition by Rachel Rabbit White ⚪Materials by Ripley Soprano ⚪Porn Carnival by Rachel Rabbit White ⚪Mucus In My Pineal Gland by Juliana Huxtable ⚪Telephone by Ariana Reines ⚪The Switch by Shiv Kotecha ⚪E!
Ted Dodson : An Orange
publishers Art centers, museums, galleries & varia Ted Dodson's thoughtful and experiential second collection of poems. “It would be too easy to say love vanished from the earth…” begins Ted Dodson's An Orange. It's a provocation to which An Orange wholeheartedly responds. Dodson's work reroutes essay, narrative, and confessionalism, detouring from criticism into bisexual desire and navigating modernity as fluently as it imagines speculative destinations for language.
Compass poems by Allison Parrish - BOMB Magazine
Dec 16, 2020 To create her compass poems, poet and programmer Allison Parrish trained a machine learning model with two parts: one spells words based on how they sound, and the other sounds out words based on how they’re spelled. Parrish selects a list of semantically related words, and the “sounder-out” uses phonetics to translate those words into numerical vectors.
Douglas Crimp’s Dance Dance Film Essays by Rosalyn Deutsche - BOMB Magazine
Trisha Brown, Spiral, 1974, performance view, Dia: Beacon, Beacon, New York, 2010. Photo by Stephanie Berger. Courtesy of Dia Art Foundation, New York. (Dancing Foxes Press, 2021) At some point in the late ’70s, when Douglas Crimp and I were art history doctoral students at the Graduate Center, CUNY, he invited me to the ballet.
Alex Balgiu and Mónica de la Torre’s Women in Concrete Poetry: 1959–1979 by Ted Dodson - BOMB Magazine
Lenora de Barros, Poema, 1979. From Women in Concrete Poetry. Courtesy of Primary Information. (Primary Information, 2020) Poema (1979) by Lenora de Barros is the de facto alternate title for Women in Concrete Poetry: 1959–1979.
Artavazd Pelechian’s Nature by Nicholas Elliott - BOMB Magazine
Part of the Editor's Choice series. Dec 7, 2020 Still from Nature, 2020. © Artavazd Pelechian. Courtesy of Cartier Foundation for Contemporary Art, Paris. (Cartier Foundation and ZKM, 2020) Artavazd Pelechian’s Nature is not about the end of the world.
Matt Keegan’s 1996 by Charity Coleman - BOMB Magazine
Part of the Editor's Choice series. Dec 7, 2020 TIME magazine covers, 1996. Images courtesy of Inventory Press. (Inventory Press, 2020) In 1996, Betsy Sussler’s editorial letter for this magazine announced that BOMB was celebrating its fifteenth anniversary by going online (with live chats!)—Netscape, anyone? My first email password (suggested by a techy elder) was “forgetmenot”—sometimes I do forget that bygone temporality of slow info, before the algorithm colonized our DNA.
André Breton and Philippe Soupault’s The Magnetic Fields by Marko Gluhaich - BOMB Magazine
Part of the Editor's Choice series. Dec 7, 2020 (NYRB Poets, 2020) In 1919, André Breton and Philippe Soupault were coming of age in the wake of World War I and the Spanish influenza pandemic. “The cities we don’t want to love anymore are dead,” they wrote in their collaborative work of literary Surrealism, The Magnetic Fields.
Caroline Catz’s Delia Derbyshire: The Myths and the Legendary Tapes by Max Pearl - BOMB Magazine
Still from Delia Derbyshire: The Myths and Legendary Tapes, 2020. (BBC, 2017/2020) Most people don’t realize how crucial sound is to science fiction. TV shows and films about alternate dimensions or alien planets are only convincing when paired with sounds that also seem otherworldly. In 1958, the BBC launched its Radiophonic Workshop, a recording studio in West London stocked with music equipment that could generate the futuristic audio they needed.
Brooklyn-10-31-18
I hate a guy with a car and no sense of humor. —Halloween (Dir. John Carpenter, 1978) Soph texts me a picture. It's a parked car at the end of her street. It's the exact station wagon from Halloween Michael Myers steals to escape the asylum where he was confined during the years after he murdered his sister in a psychosexual fit. My first car was a 1993 Volkswagen.
An Interview with Alli Warren
“I’m grateful to be alive despite how fucked up everything is and I try to be conscious of the positive and beautiful things around me. Access to and enjoyment of that beauty is part of what we’re fighting for.
The Brooklyn Rail
Poetry
⭑⭑⭑⭑⭑ by Ted Dodson
I feel like I should add my perspective. I am not quite finished, but so far, I think he’s done very well. I’ve done a lot, but he is one of my all time favorites. That’s not something I can say about very many things. I’d firstly like to request that you stop being condescending. Life is futile, death is inevitable, but love is majestic. So, pretty much he is amazing. He opened my eyes and heart. I was angered, and I felt a sense of relief. Now I want to go somewhere.
An Orange
To have come this far only to be reduced to dew heroically is a fitting though limp insurrection disguising what looked to be a better plan. Once I witnessed a clear vision and was full envy. But who would feel otherwise? The affect of lecture takes art when no one is listening and this is by necessity. Let's talk materials. Being unrequired to ratify decency as the central non-combustible tenet of worldly affairs courage filed alongside myth and fiction.
See the Work of a Japanese Video Art Pioneer
The May 21 screening at Microscope Gallery will feature early films and videos by Ko Nakajima, who has not only experimented with new technologies but helped develop them. In the opening of Ko Nakajima’s film “Mt. Fuji” (1984), you feel like you’re inside a Mt. Fuji–themed Rubik’s cube.
Cynthia Daignault's
Cynthia Daignault's There is nothing I could say that I haven't thought before, now on view at the Flag Art Foundation, collects three separate series of paintings. Together, they continue her signature conceptual methodology, expanding on previous considerations of viewership, representative painting, and existential feminism to include a new imperative—ethics.
Marie and Teds Excellent Wedding Adventure
In lieu of a traditional registry or gifts, we're trying a more flexible and fun way for our guests to contribute to our new life together, the first adventure being a honeymoon to Paris for Bastille day and the south of France to visit Marie's ancestral hometown of Gazave in the Midi-Pyrénées.
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