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Tim Ashley

Seattle
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Writer, critic, biographer of Strauss, likes decadent French, German and Italian literature, can sometimes be found slouching around in leather.
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Articles

Eleanor Steber: The American Soprano Who Conquered Mozart and the Met - Gramophone

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By Tim Ashley
| Gramophone Verified
Tim Ashley celebrates the great American soprano whose wide-ranging operatic repertoire encompassed Mozart, Barber and Britten and whose broadcasts made her a household name ‘Child, where did you learn to sing Mozart like that?’ Bruno Walter asked Eleanor Steber, when he first heard her. The young American soprano had recently won the Metropolitan Opera Auditions of the Air, a nationwide singing competition broadcast by NBC Radio.
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PUCCINI Orchestral Works (Wilson)

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By Tim Ashley
| Gramophone Verified
This fascinating album from John Wilson and the Sinfonia of London charts Puccini’s path to greatness by gathering together his early orchestral works along with preludes and intermezzos from his first three operas, taking us from his student years at the Milan Conservatory to Manon Lescaut, which sealed his reputation in 1893.
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Káťa Kabanová review – furtive groping and a wing-bloodied angel stalk flawed staging of Janáček’s opera

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By Tim Ashley
| Inkl
A growing sense of entrapment … Káťa Kabanová at Glyndebourne, July 2025. Photograph: Marc Brenner/Glyndebourne Productions The final production of the current Glyndebourne season is a revival of Damiano Michieletto’s staging of Janáček’s Káťa Kabanová, first seen in 2021, as the UK emerged from lockdown, with the cast socially distanced on stage and a reduced orchestration used in the pit. Now, of course, conductor Robin Ticciati reverts to Janáček’s original score.
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