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Articles by Tina Howe
RLT celebrates a year of PLAYSPACE
Tuesday, January 6, 2026–7:45 a.m. -News Release- Rome Little Theatre is excited to celebrate one year of PLAYSPACE, their table read series, on Monday, January 12, 2026, with a reception for guests and a reading of ‘The Art of Dining,’ written by Tina Howe. Join Rome Little Theatre for a fun, interactive experience where YOU get to read parts of the script, connect with fellow theatre enthusiasts, and dive into a variety of plays.
Where Women Go | Concord Theatricals
Where Women Go is a series of three short one-acts for a diverse cast of women of various ages. Tina Howe’s eccentric plays explore the humor and absurdity of women's daily lives as they visit the dermatologist, eat at Subway and go shopping. To the Dermatologist (7f, 1m voice, Comedy) – It’s 2021 at Your Reflections Dermatology office, and Zilla learns that the growth on her legs is lichen planus, a type of algae that develops into something more akin to spices and vegetables.
Dramatists Guild
Dramatists Guild Legacy Member Tina Howe Playwright 1937 - 2023 The Dramatists Guild mourns the loss of longtime Council member, playwright and teacher Tina Howe. A Guild member for over forty years, Tina Howe was proud to have served on the DG Council since 1990. She was dedicated in her service to the Guild throughout the years, serving on the Publications committee (now The Dramatist committee) and even guest editing The Language Issue of the magazine in 2016.
Review: Tina Howe’s New Englanders Thrash in the Shallows of ‘Singing Beach’
Tina Howe’s “Singing Beach,” produced by Theater 167 at Here, needs a lifeguard. While it returns to themes and situations she has movingly explored in other works, this sometimes absurdist play about a family in crisis splashes and thrashes under Ari Laura Kreith’s direction. It goes under almost from the get-go. As the play opens, Merrie (Erin Beirnard), a novelist, has reluctantly agreed to move her father, the poet Ashton Sleeper (Tuck Milligan), into an assisted-living facility.
I Wrote That? Playwrights Look Back at Their Teenage Work (Published 2016)
Photo Shelagh Delaney, who wrote the play “A Taste of Honey.” Credit Pan American World Airways System Today’s would-be wunderkinder presumably have a bit more experience. Still, “the idea of sending something I wrote when I was 18 to The New York Times is sort of the zenith of all of my fears,” said Samuel D. Hunter, a MacArthur Foundation fellowship recipient whose “The Harvest” opens at Lincoln Center Theater this fall. He must have gotten over it.
Women’s Work: White Gloves or Bare Hands?
The following is excerpted from a speech Tina Howe, the author of Pride’s Crossing, gave at the 20th anniversary Women’s Project conference in November 1997 in New York City. When my friend Honor Moore—the poet, biographer and feminist—produced my first play, The Nest, in 1970, she used to ask me, “Which are you first, a woman or a writer?” “A writer!” I answered without thinking twice. “Are you sure?” she pressed.
María Irene Fornés and Tina Howe: Women’s Work
The following essays were prompted, in great part, by Mrs. Centlivre. In 1718, the wife of Queen Anne’s cook wrote a play called A Bold Stroke for a Wife, and in 1985 I came upon this Restoration confection listed in Joseph T. Shipley’s Crown Guide to the World’s Great Plays. Intrigued by the inclusion of Mrs.
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