Stephanie Syjuco’s book asks a simple question: ‘How do you talk back to the archive?’ Consider the lie embedded in a century-old photograph. Four Filipino men, dressed in ‘tribal’ costumes with spears in hand, pose for a portrait in front of a straw hut. They were among 1,200 people brought to the United States for the racist spectacle of the Philippine Village at the 1904 St Louis World’s Fair – meant to entertain and educate its American audience.