Ward Sutton on Muck Rack

Ward Sutton

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As seen in: The Boston Globe, MSN, The New York Times, Yahoo News, Los Angeles Times, Rolling Stone, The New Yorker, Flipboard, The Minnesota Star Tribune, GQ, Yahoo and
I will no longer be active on this platform as long as Elon Musk has anything to do with it. Instead, please follow me on Bluesky: @wardsutton.bsky.social
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Articles

Denying Reality as We Burn

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By Ward Sutton
| The Nation Verified
Support independent journalism that exposes oligarchs and profiteers Donald Trump’s cruel and chaotic second term is just getting started. In his first month back in office, Trump and his lackey Elon Musk (or is it the other way around?) have proven that nothing is safe from sacrifice at the altar of unchecked power and riches. Only robust independent journalism can cut through the noise and offer clear-eyed reporting and analysis based on principle and conscience.
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‘Stop Project 2025’ – a Comic-Book Cassandra Becomes a Roadmap for Resistance - The Village Voice

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By Ward Sutton, Michael Atkinson, James Ridgeway, Rob Staeger
| The Village Voice Verified
It was meant to be a warning. The anthology comic Stop Project 2025 was intended to be a call to arms, a way to rally the troops about the dire consequences of Donald Trump being re-elected president of the United States. Project 2025 (or its official title, Mandate for Leadership: The Conservative Promise) is a publication of the Heritage Foundation that outlines plans to advance conservative causes when Republicans win back the White House.
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‘Don’t Have a Cow, Man!’ When Sylvia Plachy Did Thanksgiving – and More - The Village Voice

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By Ward Sutton, Ross Barkan Verified, R.C. Baker Verified, Peter Noel
| The Village Voice Verified
Sylvia Plachy began shooting photos for the Village Voice in 1974 and she continues snapping pictures to this day. As the holiday season heats up we’re taking a look at the scenes and characters Plachy caught in her frame in the 1980s and ’90s, when taking newspaper pictures involved focus rings, aperture settings, exposure readings, shutter speeds, negatives, dark rooms, printing presses — and a great eye gazing through the viewfinder.
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