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Xuanlin Tham on Muck Rack

Xuanlin Tham

(They/Them)
United Kingdom
As seen in: Flipboard, British GQ, GQ España, The i Paper, GQ Mexico, Letterboxd, GQ India, i-D, Little White Lies, GQ France and
writer, curator, pervert. 'REVOLUTIONARY DESIRES' out now with @404Ink ❤️‍🔥

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Xuanlin Tham’s Biography

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Film programmer and critic – writes on everything but especially interested in queerness, the body, and East Asian cinema.

Xuanlin Tham’s Journalist Portfolio

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Love Life - first-look review

Love Life - first-look review

Love Life - first-look review Little White Lies was established in 2005 as a bi-monthly print magazine commit…

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Don't Worry Darling is a finely manicured, unsettling movie

Don't Worry Darling is a finely manicured, unsettling movie

Finally, Harry Styles' movie lead debut has arrived. Here's our review.

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Review: Bones and All is a heartsick and gentle cannibal nightmare starring Timothée Chalamet

Review: Bones and All is a heartsick and gentle cannibal nightmare starring Timothée Chalamet

The new Timmy and Luca link-up just premiered at Venice Film Festival. Here's our review.

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Venice Film Festival 2022: White Noise Review - The Skinny

Venice Film Festival 2022: White Noise Review - The Skinny

Many films attempt to answer one of the biggest, most existential questions we face: how on earth is there so…

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Husband - first-look review

Husband - first-look review

Husband - first-look review Little White Lies was established in 2005 as a bi-monthly print magazine committe…

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Neon Spring - first-look review

Neon Spring - first-look review

Neon Spring - first-look review Little White Lies was established in 2005 as a bi-monthly print magazine comm…

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Articles

Theo James: "Ya soy demasiado mayor para ser James Bond. Y es uno de esos personajes de los que uno luego nunca se recupera"

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By Xuanlin Tham
| GQ España Verified
Al final de una hilera de casas arboladas en London Fields, más allá de las pistas de tenis donde todo el mundo parece estar jugando con el mínimo esfuerzo, hay un restaurante. No tiene ningún cartel ni letrero con el nombre, solo una fachada bañada en un amarillo a medio camino entre el color del sol y el de la mantequilla avellana.
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Review: Border Bodies

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By Xuanlin Tham
| Fest
The Italian philosopher Franco ‘Bifo’ Berardi said that he finds it difficult to distinguish between social excitement (“call it rebellion, revolution”) and erotic excitement: that on a fundamental level, it is the “pleasure of a crowd”, a physical and meaningful relationship between bodies in a given space, which “becomes a movement”.
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Review: If I can’t Dance I’m Not Coming

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By Xuanlin Tham
| Fest
Fritz Lang’s 1927 silent film Metropolis is the inspiration behind choreographer Karl Jay-Lewin’s If I Can’t Dance I’m Not Coming: a dance work whose title edits the famous saying, “if I can’t dance, it’s not my revolution”, often misattributed to anarchist Emma Goldman. The reasoning behind the show’s riff off this quote never really becomes clear: a lack of conceptual clarity that’s unfortunately symptomatic of the work as a whole.
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