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Articles by Aaron Beasley
GWAS meta-analysis provides new insights into uveal melanoma risk
Abstract The aim of this research is to identify germline genetic variants that predispose to uveal melanoma (UM) using data from nine studies involving 5839 individuals with UM (3853 novel) and 349,863 healthy controls. Five novel UM genome-wide association studies (GWAS) were performed and included for meta-analysis with four previously published UM GWAS. A fixed-effects inverse-variance weighted (IVW) meta-analysis was performed by combining data from these nine UM case-control cohorts.
Identification of SLC3A2 as a Potential Therapeutic Target of Ferroptosis in Bladder Cancer
Ayuda Buscar en la ayuda Buscar en la ayuda Identification of SLC3A2 as a Potential Therapeutic Target of Ferroptosis in Bladder Cancer Qi Yang [1] ; Dewang Zhou [2] ; Aaron Beasley [3] ; Yujun Liu [2] ; Zeqin Yan [2] ; Hu Fang [2] ; Yuqing Li [2] ; Elin S.
Spatial transcriptomics reveals discrete tumour microenvironments and autocrine loops within ovarian cancer subclones - Nature Communications
Abstract High-grade serous ovarian carcinoma (HGSOC) is genetically unstable and characterised by the presence of subclones with distinct genotypes. Intratumoural heterogeneity is linked to recurrence, chemotherapy resistance, and poor prognosis. Here, we use spatial transcriptomics to identify HGSOC subclones and study their association with infiltrating cell populations.
2021 Spring Position Preview: Linebackers
We get you ready for the start of spring practice for Tennessee’s football team with our position preview series. Up next is a look at the Vols’ linebackers.
Manacled to a Whelm
Poems live in a kind of literary ever-present. When we write about them, even poems whose authors are dead, we use the present tense. As Jorie Graham stages it in her thirteenth poetry collection, Fast, that very presentness provides provisional solace in the face of catastrophe. The volume marks the fraught presence of an environmentally inclined writer whose most immediate environment, the body, confronts a foreclosed future.
Little Domesday Clock
Unlock this secret for good. The truth? It’s coming, this devouring the green, it’s in the post: coastal cities underwater, this holy appetite: our thirst was the key, our hunger. The truth: Strike me from the record. Really? Really? This We? As in: We’re-not-going-anywhere with our end-y days appetite, The People, cuh, people, swarming in schools of Asian carp, in waves of refugees, in payrolls, mass extinctions, fluid borders, extinct verbs & the hordes on Black Fridays . . .
A Poetics of Ghosting
Aaron Beasley interviews Rodrigo Toscano Aaron Beasley: So much is often made of poets’ responsibility as citizens of the world, the communities they inhabit, the country they occupy. Jen Benka recently argued that “it’s poets who have always served as our country’s conscience.” As a poet, do you feel beholden to a larger body politic?
Two Poems
I found a border in my body, slipped my fingers over its simple seam until I felt its stitches unwind and open. Out come scattered brick walls, an autoworker’s ruined shoulder, hard clay burned the color of bloodshot eyes, glass skyscraping sugarcane with syringe tips like hypodermic needles, the powerful tongues of my mothers and fathers lit with dying sallow leaves and the vicious wind that runs through their hollow, viruses and languages on stilts teetering toward their next source of warmth.
National Poetry Month 2018
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American Sonnets for My Past and Future Assassin
American Sonnet for My Past and Future Assassin I thought we might as well sing the fables of sea To fill our mouths before sailing out to whale. I thought we might sing as well of the feeling Of sea moving about the whale like a coat. The color of water is always the temperature Of a mirror. I thought we might drown Our reflections in a swaying like our songs Of mother wit & mother woe, our toasts With the water a deep dark blue, an almost Indigo we paled from the well before sail.
Frank Bidart's Mirror
Searching for a metaphysic in a fallen, libidinal world, Frank Bidart has, by necessity, made one. His oeuvre, ten books now gathered in one 718-page volume, provides an incisive index of the latter half of the twentieth century, a startlingly truthful mirror of its myths and multiplicities.
NO ONE COULD SEE THE VAST CROWD
This is a working sentence. Someone walks by. Three sentences standing around bonding. Terrible, terrible sentences. The third sentence resents the fourth sentence more than the fifth. Sitting in a late cafe crying. Trying to stare down carbs with the mistress’s tools. A panoply of belated newsprint. A drain stopper with a dripping faucet. Coming in and coming out of the same entrance marked urgent. Paragraphs concealing whole illegal phrases. You marked me like this.
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