Amarsanaa Battulga
Amarsanaa Battulga’s Journalist Portfolio
View as a gridTaiwan Int'l Doc Festival 2026: Points of Departure
On the Coal Road: Khoroldorj Choijoovanchig on his Tribeca-premiering 'Colors of White Rock'
The A Report (2025 H2) - Mongolia
The Film as Wish: Dongnan Chen on Her CPH:DOX Winner 'Whispers in May'
Review: Green Grey Black Brown
Review: Abortion Party
Union Work for the 21st Century: Srđan Kovačević on 'The Thing to Be Done'
Human Resource: Desiring Desperation
Man of Many Hats: A Review of 'Rental Family'
B.AMARSANAA: Film critic owes nothing to anyone
Amarsanaa Battulga - Golden Globes
Б.АМАРСАНАА: Кино шүүмжлэгч бол хэн нэгэнд өртэй хүн биш
"Кино бол бизнес биш, урлаг гэдгийг ойлгуулахын тулд кино наадмууд зохиогддог"
Jeonju 2025: Small Sparks
"Capturing the Poetic Essence of Childhood Innocence": Deming Chen and Hansen Lin on Their CPH:DO...
Cinema onder vuur: Mongolië - Filmkrant
In Conversation with Xiaoxuan Jiang
"A Brutal Kind of Beauty": Kasimir Burgess on His Visions du Réel-Premiering 'Iron Winter'
West Lake IDF 2024: What's in a Name
Б.АМАРСАНАА: Олон улсын кино наадамд монгол кино өрсөлдөж эхэлсэн давалгаа битгий тасраасай
Movie review: Caught by the Tides | easternkicks.com
"Filming in Retrospect": Gabrielle Brady Discusses 'The Wolves Always Come at Night'
"A Very Elegant Triangle": Elizabeth Lo Discusses 'Mistress Dispeller'