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Andreas Inderwildi on Muck Rack

Andreas Inderwildi

(He/Him)
Switzerland
As seen in: Der Spiegel, VICE, Eurogamer, SPACE.com, PCGamesN, Rock Paper Shotgun, The Kotaku Times, Kotaku UK, Electronic Gaming Monthly(EGM), Kill Screen and
Covers:  video games, culture, (medieval) history, art, literature, film
Doesn't Cover: technology, e-sports
Writer, game critic @ Eurogamer, RPS, KotakuUK, Edge, Wireframe &c.; Mastodon @MashXtoMuse@ohai.social, cohost.org/MashXtoMuse

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Andreas Inderwildi’s Biography

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Writer & game critic, seen at Eurogamer, RPS, Kotaku UK, Edge, Wireframe etc. MA in literature & medieval stuff. Lover of folklore, cosmology, horror & the occult. Vegan, feminist, ADHD-haver. Writes stuff at mashxtomuse.com

Andreas Inderwildi’s Journalist Portfolio

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Seuchen in Videospielen: Vom Ringen mit einem unsichtbaren Feind

Seuchen in Videospielen: Vom Ringen mit einem unsichtbaren Feind

Pandemien sind ein beliebtes Videospiel-Szenario. Doch Games mit Seuchen als besonderen Gegnern bringen ungew…

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Tracing the fairy tales and myths behind The Witcher 3's unsettling Crones

Tracing the fairy tales and myths behind The Witcher 3's unsettling Crones

Brewess. Weavess. Whispess. The three Crones of Crookback Bog are perhaps the most fascinating characters in …

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Digital Demonology: The Historical Origins of Gaming's Infernal Obsession | EGM

Digital Demonology: The Historical Origins of Gaming's Infernal Obsession | EGM

Demons are everywhere. For centuries, Christians suspected themselves to be beleaguered by armies of invisibl…

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The creepy allure of video game dungeons

The creepy allure of video game dungeons

If you're playing a lot of games, there's no escaping the dusty depths of dungeons. They are everywhere; thei…

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Snakeskin And Monkey Business: The Animals Of Sekiro

Snakeskin And Monkey Business: The Animals Of Sekiro

The world of Sekiro isn't primarily a human one. Despite all its castles and temples, the land of Ashina belo…

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Pony Island und Co.: Die Geheimnisse des Computers im Computer

Pony Island und Co.: Die Geheimnisse des Computers im Computer

Wir erkunden eine Weltraumstation in, sagen wir, "Prey". Und, siehe da: ein unbeaufsichtigter Computer, desse…

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Articles

Krieg spielen im 21. Jahrhundert – WASTED Magazin

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By Andreas Inderwildi
| wasted.de
„War never changes,“ grummelt Ron Perlman in den Fallout-Spielen. Das stimmt zwar nicht ganz, aber zumindest die Mythen, die sich um den Krieg ranken, zeigen sich erstaunlich langlebig. Und am hartnäckigsten halten sich diese Mythen ausgerechnet in Videospielen. Gerade angesichts des Krieges in der Ukraine ist es höchste Zeit, umzudenken. Text Andreas Inderwildi Cover Based on „This War of Mine“ by 11 Bit Studios Kriegsspiel – eine scheinbar widersinnige Wortkombination.
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How Crusader Kings III Busts Myths and Redefines Historical Strategy

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By Andreas Inderwildi
| History Hit Verified
HISTORYHIT.TV A new online only channel for history lovers Crusader Kings III Image Credit: Paradox Interactive What exactly do we play as in a game of Civilization VI? A leader? A state? A nation? A fledgling empire maybe? It’s a bit of everything, a big mishmash of concepts. At the heart of it, however, lies the idea of the nation-state. Every successful game of Civilization is a story from the birth of a nation-state to its rise to greatness, and maybe beyond to its ascension to the stars.
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Draugen review - unresolved — Wireframe Magazine

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By Andreas Inderwildi
| wireframe.raspberrypi.org
Here, we begin our search for Betty, and an investigation into what happened to the villagers. Most of the village is open for exploration, but our progression through the story is entirely linear. We find letters and other documents that hint at a bigger story; there’s talk about lost Viking treasure, a terrible murder, a curse, and the Draugen, an undead creature from Scandinavian folklore.
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See all 14 licensed articles (79 Total)