Andrew Liddle on Muck Rack

Andrew Liddle

Verified
London
As seen in: The Courier (UK), The Spectator, The Waterstones Podcast, MSN UK, The Independent (UK), Wiley Online Library, Yahoo News UK, Substack, The i Paper, The Press and Journal, The Stage, Evening Express and
Notes on Nationalism Substack. Political commentator with @thecourieruk, @spectator, @UnHerd and others. Also write books. Fan of bow ties and long lunches.

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Articles

'When the lights went down...': Memories of the Alhambra and other Bradford theatres

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By Andrew Liddle Verified
| Yahoo News UK Verified
I STILL remember the first time I went to the Alhambra. I was with my parents, in my best clothes because people dressed up for the theatre then, aware that this was a special occasion and that I was expected to rise to it. It was the start of a lifelong love of theatre, though I did not know that yet. This magnificent building was all plaster and faience, gilt and velvet, light caught and reflected - a palace of delight with an exotic name.
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Urban walk from Eccleshill to Undercliffe links area's working past with the present

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By Andrew Liddle Verified
| Yahoo News UK Verified
ECCLESHILL to Undercliffe makes a fine urban walk, passing through streets, open ground and former industrial routes that link north Bradford’s working past with what remains today. Climbing out of the city, the ground rises steadily and views of Bradford open out: Valley Parade, Lister’s Mill, the distant spire of St Barnabas, at Heaton. Above the sloping elegance of Peel Park, a district begins to emerge that feels proudly distinct from other local suburbs.
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Lights, camera, action...Looking back at films made in Bradford

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By Andrew Liddle Verified
| Yahoo News UK Verified
I ALWAYS think of Bradford as a city that understands the camera. Its steep streets, robust Victorian architecture, post-war housing estates and industrial areas offer film-makers an authentically gritty backdrop. When Bradford was designated the world’s first UNESCO City of Film in 2009, the title, to me, felt less like an honour than a recognition - an acknowledgement of a long-established relationship between place, image and storytelling.
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