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Anton Bitel

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As seen in: The Guardian, Rotten Tomatoes, Sight & Sound, Letterboxd, BFI, Little White Lies, Daily Dead, SciFiNow, Senses of Cinema, musicOMH and
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Articles

Leviticus review – a tender queer horror debut

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By Anton Bitel Verified
| Little White Lies Verified
Leviticus review – a tender queer horror debut A shape-shifting killer stalks two closeted teenagers in Adrian Chiarella’s gripping debut, though the real terror lies in the bigotry of the small town around them. 4 Anticipation. Good festival buzz. 4 Enjoyment. Manages to be at once tense and tender. 4 In Retrospect. In Adrian Chiarella’s queer horror, Christian values are the danger.
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10 great films about screenwriters

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By Brogan Morris, Gayle Sequeira, Anton Bitel Verified
| BFI
Given that what we see in the movies often originates in the minds of screenwriters, it’s inevitable that screenwriters occasionally become the subjects of movies themselves; their practices, their inspirations, their relationship to filmmaking and place within the industry all put up on the screen. Cinema hardly knows of a more self-reflexive act.
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10 great films about making a horror film

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By Gayle Sequeira, Anton Bitel Verified, Matthew Barrington
| BFI
It’s only inevitable that most films about the making of a horror film would slot neatly into the horror genre themselves. For all their calibrated frights, such grisly tableaux can take a real mental and emotional toll on their craftsmen, the make-believe monstrosities tapping into actual primal fears. The idea of losing yourself in a movie is often taken to its most unsettling end in these films, with trauma that persists long after the credits roll.
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