Beatrix Kondo
Beatrix Kondo’s Journalist Portfolio
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Beatrix Kondo
The Ink Has Always Been There: the Grammar of Exclusion in "Witch Hat Atelier"
Caged and Dissected: The Witch Hunt Politics of "Thorn Season"
The Rule Nobody Questions
The Witch Who Was Always Near
The Aesthetics of Impermanence: How Frieren Visualizes Untranslatable Japanese Philosophy - Unwin...
Silent Hill was always feminist, Part 1: The cult, the witch, the burning girl
Silent Hill was always feminist, Part 2: Rose and the mother who won't reconcile
Silent Hill was always feminist, Part 3: Silent Hill 2, James Sunderland, and the murder no one c...
Silent Hill was always feminist, Part 4: Silent Hill f and the system that was always the monster
Feminine Panic: Who Gets to Own Masculine Narratives? - Unwinnable
The monster was right: How Doki Doki Literature Club exposes dating sims... punish female autonomy
Beyond "Was She Really a Witch?": Revisiting Margaret Atwood's "My Evil Mother"
Skincare as Sorcery: The Occult Economics of K-Beauty and Glass Skin Witchcraft
Upside Down Feminism - How Stranger Things Systematically Destroyed Its Women | by Beatrix Kondo
The Manic Pixie Dream Gay Girl: How Robin's Sexuality Served Will's Coming-Out Arc, Then Got Disc...
The Comatose Woman Plot Device and the Myth of Having It All (As Long As You Want Nothing) | by B...
Karen "Fucking" Wheeler | by Beatrix Kondo
The Duffer Brothers' Reckoning: When Audiences Stop Accepting "We Tried" | by Beatrix Kondo
What We Deserve: Reimagining Stranger Things' Women Beyond the Duffers' Vision | by Beatrix Kondo
How 'Dear X' Exposes the Appetite for Female Suffering - Horror Movie Blog
From Piltover with love: Arcane's game-changing queer narrative
Perfectly Imperfect Forgers: Why SPY X FAMILY's unique family dynamic is what we need in anime