Christopher Hamilton-Peach

The slow-burning deceptions sold and the human impulse to self-question via personal accounts of car collisions on Sunset Boulevard, drug-induced psychosis and the clear-lens of sobriety - transformative turbulence that Solomon roots in the essence of existence and the invariable prompts for creativity.

They do so by referencing the zenith of 90s jangle-pop and elements of the Cranberries’ cathartic output to engineer a scuzzy alt-rock coded exploration of ennui, parallel possibilities and existential longing amidst the flux of upbringing. Since their inception six years ago, the Swedish trio have established a solid footing in alternative circles via a lauded debut EP, with Soccer Mommy producer Ali Chant on board, and a much-vaunted European tour with Canadian indie stalwarts Alvvays.

Tracking from rural to urban since their formation five years ago, the East London-via-Buckinghamshire six-piece intersect space and time in equal sonic measure. Their first two EPs came leaning on the skewiff yet nimble post-punk footwork of acts such as Yard Act and Squid to evermore synth scored dabbling that has seen the band flaunt twitchy electronic segues adjacent to straight-up indie-pop panache.