Colin Joyce on Muck Rack

Colin Joyce

New York
As seen in: Color Research & Application, The Telegraph, Bandcamp Daily, Noisey, Rolling Stone, Substack, Thump US, VICE, VICE UK, Flipboard and
coolant/coolin/writing clnjoyce@gmail.com
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Articles

youbet: youbet

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By Colin Joyce
| Pitchfork
Over the years, Nick Llobet’s songs as youbet have become wound tighter and tighter. From their DIY indie pop origins—documented on their 2020 album Compare and Despair, a collection of polaroid-like miniatures that betrayed their years going to see Frankie Cosmos and Girlpool shows—they’ve delved into territory that’s more dense and intense. Llobet draws from a wide range of influences, from flamenco to folk music, but their songs remain centered on complicated emotions and grim imagery.
Open in Who Shared Issue with article?

Kathryn Mohr: Carve

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By Colin Joyce
| Pitchfork
Light rarely leaks into Kathryn Mohr’s songs. Since her early recordings, the Bay Area musician has paired minimal arrangements—shadowy acoustic guitars, icy synthwork, and ghostly field recordings—with delicate yet desperate delivery, as if every whisper and gasp were being squeezed out of her by the weight of the world bearing down on her chest. Her lyrics are cryptic and imagistic, and rarely suggest much optimism; each song is a puzzle box that only snaps open to reveal a world of pain.
Open in Who Shared Issue with article?

Dylan Brady: Needle Guy EP

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By Colin Joyce
| Pitchfork
Dylan Brady has never seemed too interested in restraint. Alongside bandmate Laura Les in the duo 100 gecs, Brady has established himself as one of pop music’s most vulgar maximalists. Together, they swirled together a list of genres longer than a CVS receipt, almost exclusively favoring the ugliest, loudest, and most colorfully extreme sounds their respective influences have to offer.
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