The public eclipse of one man and the sunrise of another is a rich quarry for the mining of metaphor. As I think I have just proved. Some are visual. The New Statesman magazine, which practically launched the Starmer Out, Burnham In campaign last September, chose yet another Bayeux Tapestry take-off for its Starmer resignation cover. Naturally Andy Burnham was William the Conqueror and Keir Starmer was Harold and, tellingly, the Norman Conquest had become the Northern Conquest.