Dan Ferrisi on Muck Rack

Dan Ferrisi

Verified
New York
As seen in: Commercial Integrator, Emerald, NewsBreak, CE Pro, rAVe [Publications], Security Sales & Integration Magazine, My Tech Decisions, The Music & Sound Retailer
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Dan Ferrisi’s Biography

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I am the Editor of The Music & Sound Retailer, the most widely read trade publication serving the music products market. I am a lifelong writer and editor, working for Testa Communications, publisher of The Retailer, for more than 10 years.

Articles

Jabra PanaCast U30 Review: A Compelling Option for Small Rooms

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By Dan Ferrisi 
| Commercial Integrator
Editor’s Note: This hands-on review of the Jabra PanaCast U30 reflects the opinions and experiences of the author. Integrators who design and deploy huddle rooms know the challenges they tend to present: They’re small, budgets are frequently constrained and end users want the meeting to simply work — no IT calls, no support tickets and no friction. Increasingly, we’re seeing the supplier community respond with BYOD-first videobars that center simplicity as foundational to the design.
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InfoComm 2026: Taka Uchida Talks Evolution of MEVIX Brand

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By Dan Ferrisi 
| Commercial Integrator
Editor’s Note: You can visit Panasonic Projector & Display Americas and learn more about the MEVIX sub-brand at InfoComm 2026. They’re exhibiting at the show at Booth #C8325. A year ago at InfoComm, Panasonic Projector & Display Americas turned heads with the launch of its MEVIX sub-brand and a refreshed strategic identity. Some 12 months later, the company has plenty to talk about — and Commercial Integrator sat down with CEO Taka Uchida to get the full story.
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Thomas Tang of Apantac on Compressed Audio Decoding

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By Dan Ferrisi 
| Commercial Integrator
Editor’s Note: Visit Apantac at InfoComm 2026 next week at Booth #C7459. Commercial Integrator editors will be in attendance all week covering the show! As broadcast and pro AV continue to converge around IP, audio infrastructures are moving steadily toward Dante and AES67. That shift creates a practical issue: immersive formats like Dolby Atmos and DTS:X arrive as compressed bitstreams over HDMI, whereas networked audio systems expect uncompressed PCM channels.
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