Dylan Roth
VerifiedDylan Roth’s Journalist Portfolio
View as a gridI Can Say Goodbye To Star Trek Because Star Trek Raised Me
‘Opus’ Review: Pop-Star Cult of Personality Thriller Never Finds Its Groove
'The Electric State' Review: An Expensive Artifact of Our Soulless Technocracy
'Black Bag' Review: Love as a Spy Game
'The Righteous Gemstones': A Low-Stakes (But Still Funny) Final Season
'Zero Day' Review: A Political Thriller Without Politics
'Captain America: Brave New World' Review: No Cure For the Marvel Malaise Here
'Heart Eyes' Review: Blood Spattered Comfort Food
'American Primeval' Review: Brutal, Bleak Western Series Is Exhausting to Watch
Netflix And Max Are Betting Big on Wrestling - Here's Why
'Laid' Review: Sex, Death And One of the Year's Best Comedic Characters
'The Lord of the Rings: War of the Rohirrim' Review: A Generic, Hobbit-Free Tolkien Tale
'The Sticky' Review: Margo Martindale Shines In Serviceable Heist Comedy
'A Man on the Inside' Review: Comfy, Heartfelt Television
'Arcane' Season 2 Review: One of the Best Animated Series Ever Made
'Venom: The Last Dance' Review: Brainless and Disjointed
Vampire Sitcom 'What We Do in the Shadows' Loses Some Bite in Final Season
'Anora' Review: One Of The Funniest, Saddest, Best Films Of The Year
'Smile 2' Review: Funhouse Horror That Does The Trick
'Shrinking' Season 2 Review: Jason Segel's Therapy Comedy Expands Its World
'Joker: Folie à Deux' Review: A Shocking Movie-Shockingly Bad, That Is
'Mr. McMahon' Review: WWE Docuseries Is Part Celebration, Part Exposé
'The Penguin' Review: A Fun Gangster Series, No Interest in Superheroes Required
‘The Front Room’ Review: A Horror-Comedy That Isn’t Quite Either