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Ebet Roberts

As seen in: Icon en El País, People, Vanity Fair, Glamour, AARP, SPIN, Audacy.com, Guitar World, KPCC-FM (Pasadena, CA), Modern Drummer and
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Articles

“Un grupo con un nombre tan estúpido no puede llegar lejos”: 20 años del disco que convirtió a Arctic Monkeys en voz generacional

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By Jaime Lorite Chinchón, Andy Willsher, Ebet Roberts, Samir Hussein
| Icon en El País Verified
El debut del grupo liderado por Alex Turner, ‘Whatever People Say I Am, That’s What I’m Not’, volvió a llevar el rock británico a lo más alto, pero, antes de su publicación, ya era un fenómeno secreto en internet Los Arctic Monkeys fotografiados en un pub en 2006.
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REO Speedwagon: Then

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By Ebet Roberts
| Maryville Forum Verified
Band members Kevin Cronin, Dave Amato, Bruce Hall, Neal Doughty, and Bryan Hitt helped REO ride to the top of the charts selling 22 million albums in the United States and 40 million around the world. Gold and platinum records, and worldwide hits, included “Take it on the Run” and “Can’t Fight This Feeling.” Ebet Roberts/Redfern // Getty Images TownNews.com Content Exchange TownNews.com Content Exchange
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‘Back in Black’ Turns 40: How the Landmark AC/DC Album Was Viewed in 1980

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By Marty Rosenbaum, Gie Knaeps, Brian Rasic, Ebet Roberts
| Audacy.com Verified
There’s certain works of art that unequivocally represent a genre. Although most art gets viewed through a subjective lens, some pieces stand alone under a collective agreement that it best depicts a specific style. In music, this gets to be an ever-evolving debate when it comes to defining a certain type of sound. It’s an art form that continually builds off what came before it, stretching so far back that you can hear faint representations in the foundations. That’s also part of the fun of music.
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