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Articles

A poetic-ethnographic reflection from Medellín

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By Penny Travlou, Edinburgh College
| Wiley Online Library Verified
REFERENCES . 2012. “Ch'ixinakax Utxiwa: A Reflection on the Practices and Discourses of Decolonization.” South Atlantic Quarterly 111(1): 95–109. https://doi.org/10.1215/00382876-1472612. . 2015. Earth Beings: Ecologies of Practice Across Andean Worlds. Durham: Duke University Press. . 2010. “Toward a Decolonial Feminism.” Hypatia 25(4): 742–759. https://doi.org/10.1111/j.1527-2001.2010.01137.x. . 2021. . March. Open Access, Creative Commons License.
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Catwalk: The Art of the Fashion Show reveals a spectacular 125 years of runway history

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By Mal James, Edinburgh College
| Inkl
Fashion shows can often feel exclusive, reserved for the very rich, the very famous or the very well-connected. This perception has been aided by depictions of the catwalk in film and TV – think The Devil Wears Prada, Zoolander, Absolutely Fabulous – which simply confirm the widely held view of fashion as synonymous with artifice and superficiality. Yet, while the catwalk is undoubtedly a stage for pomp and social peacocking, it is also a serious business.
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The Biba Story: the fashion brand that lifted a drab postwar Britain into the swinging 60s

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By Mal James, Edinburgh College
| Inkl
First conceived as a mail-order-only company in 1963, known as Biba’s Postal Boutique, the brand captured the revolutionary 1960s and 1970s attitude and style, offering trend-seekers affordable, high-fashion aesthetics and glamour akin to Paris catwalks. Influenced by art deco, Biba’s covetable mini dresses, luxurious fabrics, rich prints and colour palettes quickly achieved a cult following, embodying the “swinging London” look.
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