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Erik Maza on Muck Rack

Erik Maza

Verified
New York
As seen in: New York Magazine, Yahoo Entertainment, Yahoo Life, Yahoo Canada, Aol, Yahoo Sports Canada, Baltimore Sun, Yahoo, Women's Wear Daily (WWD), W Magazine, Yahoo Style Canada and
Covers:  Fashion, design, society.
Editor-at-Large @nymag. erik.maza@nymag.com. Earlier: @tandcmag; @wmag; @WWD; @baltimoresun; @miaminewtimes 🇨🇺

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Erik Maza’s Biography

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Style Features Director at Town & Country magazine. Formerly: Digital Features Director at W magazine; Eye® editor, media reporter at Women's Wear Daily. Earlier: Baltimore Sun, Miami New Times. NY resident, Havana native.

Articles

Anatomy of a Classic: Giorgio Armani’s La Prima Original

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By Erik Maza Verified
| Town & Country Verified
Culture needs disruptors. Fashion too. In 1995 Todd Solondz shook up independent film with Welcome to the Dollhouse, Coolio hit the top of the charts with “Gangsta’s Paradise,” and eBay changed the internet forever. Minimalism, meanwhile, ruled the runway. “Fussy,” the late stylist Polly Mellen declared in that year’s soon to be canonic documentary, Unzipped. “Finished.” It was a time of little ornamentation, clean lines, neutral palettes. Quiet luxury, long before the phrase was coined.
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Anatomy of a Classic: Giorgio Armani’s La Prima

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By Erik Maza Verified
| Yahoo Life Verified
"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." Culture needs disruptors. Fashion too. In 1995 Todd Solondz shook up independent film with Welcome to the Dollhouse, Coolio hit the top of the charts with “Gangsta’s Paradise,” and eBay changed the internet forever. Minimalism, meanwhile, ruled the runway. “Fussy,” the late stylist Polly Mellen declared in that year’s soon to be canonic documentary, Unzipped.
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Diller Scofidio + Renfro’s Magnum Opus

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By Erik Maza Verified
| Town & Country Verified
Above: The Broad, which remains open during a Diller Scofidio + Renfro expansion set to debut in time for the 2028 Olympics in Los Angeles. The Veil and the Vault is not the title of a forgotten film noir. It was the working name the architectural firm Diller Scofidio + Renfro used for the protagonist at the center of a very Los Angeles story: the art collection of Edythe and Eli Broad.
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