Jean-Paul Belmondo and Anna Karina in Godard's Pierrot le Fou (see: C, K) Film Forum/Janus Films Given that a mere six months ago, J. Hoberman wrote in these very pages, “From Breathless (1959) through Weekend (1968), [Jean-Luc] Godard reinvented cinema,” what more is there to say about a retrospective devoted to precisely those 10 years from the work of the most analyzed, debated, effused-over, and influential filmmaker in the history of cinema? The short answer: Everything and nothing.