An overhead view of the Valoi easy35 V2 attached to a camera and macro lens, with film holders and a roll of Kodak 200 film on a desk. I was not exactly quiet about how much I liked the original Valoi easy35. Before using it, I had largely written off camera scanning as one of those workflows that sounded great in theory, but in practice involved too much setup, too much faffing, and too many opportunities to get something slightly wrong. The first easy35 changed that for me.