Gio Santiago on Muck Rack

Gio Santiago

Brooklyn, Chicago
As seen in: Condé Nast, Flipboard, Pitchfork, Resident Advisor (RA), Fort Worth Star-Telegram, San Luis Obispo Tribune, The State, Columbus Ledger-Enquirer, The Island Packet, Belleville News-Democrat, Rock Hill Herald and
boricua baby, global events @condenast (words @pitchfork @residentadvisor)

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Articles

Jeff Mills: Seeing Is Believing

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By Gio Santiago
| Resident Advisor (RA) Verified
C.013, 2026: JEFF MILLS SEEING IS BELIEVING First came the film. Live at the Liquid Room, the 1995 Tokyo set by Jeff Mills, one of techno's unbreakable reference points, projected onto a screen in New York's Knockdown Center. A 32-year-old Mills moved with frightening speed, ducking under the booth for records, snapping back into the mix, forcing machines and vinyl into a language that sounded extraterrestrial. The risk remained evident in every movement and decision.
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Daphni: Butterfly

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By Gio Santiago
| Pitchfork Verified
In Dan Snaith’s Daphni project, taste typically outpaces narrative. Off-kilter loops do most of the talking; a track can be “about” nothing more than what it does to a room. This is music Snaith makes primarily to play in his DJ sets, with “slower, weirder” cuts reserved for the right club. That approach came to a peak on his last full-length, Cherry. Each song was an eclectic singularity: precise, glassy, poignant, and cool as hell.
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Rosalía: LUX

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By Gio Santiago
| Pitchfork Verified
Rosalía is redrawing pop’s map at a stunning pace. Her first two records, Los Ángeles and El Mal Querer, brought flamenco into the mainstream; the second fractured the genre from its tradition, unearthing a pop architect intent on stitching sacred text with street expression. Then came MOTOMAMI, a world born of Caribbean heat and unbridled nerve, cementing her as an experimental auteur burning through sounds like a master technician.
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