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Hannah Gold

(She/Her)
As seen in: The New Yorker, The Mindful Librarian, New York Review of Books, The Paris Review, Harper's Magazine, n+1 Magazine, The New Inquiry, The Millions, The Baffler, Jewish Currents and
writing in @newyorker, @parisreview, @nplusonemag, @thebafflermag, @astra_mag. teaching @ columbia and pratt. she/her

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Hannah Gold’s Journalist Portfolio

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Parting Waters: Passover at the Columbia Encampment

Parting Waters: Passover at the Columbia Encampment

The youth are no longer asking. They are demanding. They are putting their own bodies on the line; they are w…

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Voices of Mourning

Voices of Mourning

On Robert Glück's About Ed, Douglas Crimp's "Mourning and Militancy," and politicizing death.

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Lifesize Dioramas: At Carolee Schneemann's House - The Paris Review

Lifesize Dioramas: At Carolee Schneemann's House - The Paris Review

In 1965, a stone house near New Paltz was slated for auction. A cousin of the owners, a young and broke paint…

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Office Hours: Kathy Ottersten

Office Hours: Kathy Ottersten

“You take the risk to save lives. Maybe that’s how you love people.”

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The Archives of the East Village Eye Go to the New York Public Library

The Archives of the East Village Eye Go to the New York Public Library

Leonard Abrams started the paper, which chronicled the cultural life of downtown New York, in 1979. After try…

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Goodbye to All That | Hannah Gold

Goodbye to All That | Hannah Gold

On a recent Saturday, I joined a minor yet devout pilgrimage to make contact with a late American icon. Takin…

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Articles

A Trollish New Campus Novel Hates Students and Professors Alike

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By Hannah Gold
| The New Yorker Verified
The novel’s main two conflicts center on the university. First, there is an ongoing existential battle being waged between the university (the purview of the academics) and the city’s wild, unstoppable greenery (the purview of the gardeners, a quasi-mystical class of stoic workers who wear wide-brimmed hats and communicate in parables and aphorisms).
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A Début Novel About the Quest for Eternal Youth

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By Hannah Gold
| The New Yorker Verified
Each chapter of “Lost Lambs” is told in third person from the perspective of one of the novel’s characters—usually Bud, Catherine, or one of their daughters, who are Cash’s most intriguing creations. The Flynn sisters attend the Sacred Daughters Preparatory School, and lately the town priest has noted their unwillingness to volunteer for church events.
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Pictures of Life on a Christian Commune

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By Hannah Gold
| The New Yorker Verified
Kate Riley’s ambitious début novel, “Ruth,” opens in 1963, the year that its protagonist, Ruth Scholl, is born into a scrupulously managed Christian commune in Michigan. She grows up with two brothers, a working father, and a homemaker mother, who harbors some irreverent longings for the outside world.
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