The Baffler
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The youth are no longer asking. They are demanding. They are putting their own bodies on the line; they are walking into the water.
Hannah Gold
(She/Her)
writing in @newyorker, @parisreview, @nplusonemag, @thebafflermag, @astra_mag. teaching @ columbia and pratt. she/her
Hannah Gold’s Journalist Portfolio
View as a gridVoices of Mourning
The Baffler
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On Robert Glück's About Ed, Douglas Crimp's "Mourning and Militancy," and politicizing death.
Lifesize Dioramas: At Carolee Schneemann's House - The Paris Review
The Paris Review
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In 1965, a stone house near New Paltz was slated for auction. A cousin of the owners, a young and broke painter, begged them to let her buy it with her musician partner. She feared the house, which was limping along, would be torn down.
Office Hours: Kathy Ottersten
Jewish Currents
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“You take the risk to save lives. Maybe that’s how you love people.”
The Archives of the East Village Eye Go to the New York Public Library
The New Yorker
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Leonard Abrams started the paper, which chronicled the cultural life of downtown New York, in 1979. After trying for eight years to place its archives, he handed them off to the library last fall. In November, Leonard Abrams opened every box in his storage locker in Ridgewood, Queens, and inspected its contents.
Goodbye to All That | Hannah Gold
The Baffler
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On a recent Saturday, I joined a minor yet devout pilgrimage to make contact with a late American icon. Taking a morning train from New York City to Hudson, I walked up the hill from the station and down Warren Street to the Stair Galleries auction house.
The Art of Propaganda
The Baffler
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Book review of It Was Vulgar and It Was Beautiful: How AIDS Activists Used Art to Fight a Pandemic by Jack Lowery
