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Hayley Paskevich on Muck Rack

Hayley Paskevich

Verified
(She/Her)
Scotland, United Kingdom
As seen in: JumpCut Online, Flips Screen
Canadian girl living in the UK. Freelance writer, avid reader, cinema goer, music lover, and more. Editor-in-chief of @flipscreened. She/her. ✍🏼✨

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Hayley Paskevich’s Journalist Portfolio

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INTERVIEW: Mixtapes, Metaphors, and a Meditation On Grief with A.I. White -'Starfish' (2019)

INTERVIEW: Mixtapes, Metaphors, and a Meditation On Grief with A.I. White -'Starfish' (2019)

Never before have I seen a film quite like 'Starfish,' which is perhaps why it's stayed with me long after wa…

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Embracing Your Inner Child In A Grown-Up World: What 'Christopher Robin' (2018) and 'Unicorn Stor...

Embracing Your Inner Child In A Grown-Up World: What 'Christopher Robin' (2018) and 'Unicorn Stor...

At what point do we decide something we once loved dearly is too childish, meant to be left forever in the pa…

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Weapon or Tool? What 'Arrival' Teaches Us About Language and Communication - JumpCut Online

Weapon or Tool? What 'Arrival' Teaches Us About Language and Communication - JumpCut Online

Warning: This article contains spoilers for 'Arrival' (2016). What if, one day, an alien spacecraft were to l…

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SUMMERLAND (2020) Is a Demythologization of the Queer Woman Filled With Hope and Heart - Lesbiapa...

SUMMERLAND (2020) Is a Demythologization of the Queer Woman Filled With Hope and Heart - Lesbiapa...

There are arguably two queer stories to be found within Jessica Swale's feature film debut Summerland (2020) …

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Creating An Imagined Reality: The Cinematic Brilliance Of 'Inception' (2010) Ten Years Later

Creating An Imagined Reality: The Cinematic Brilliance Of 'Inception' (2010) Ten Years Later

"What really makes Inception such a unique and memorable film is the fact that much of its action takes place…

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Breaking Free From the Feminine: Queerness of Gender Performativity and Agency in COLETTE - Lesbi...

Breaking Free From the Feminine: Queerness of Gender Performativity and Agency in COLETTE - Lesbi...

In Judith Butler's essay "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist T…

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Articles

‘Silent Friend’ is a Breath of Fresh Air and a Love Letter to Nature

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By Natalie Quinn, Rebecca Rosen Verified, Hayley Paskevich Verified
| Flips Screen Verified
“I think it’s about a tree.” These were the words I used to describe Silent Friend immediately before seeing it at the BFI London Film Festival 2025, at the end of a triple-bill day when I could barely tell you where I was or what year we were in after having been in and out of so many different stories by that point in the festival. While in many ways this is an accurate description, it would be a great oversimplification of this film.
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Beyond Cherry Pies and Deceiving Façades: The Inimitable Work of David Lynch

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By Rebecca Rosen Verified, Natalie Quinn, Hayley Paskevich Verified
| Flips Screen Verified
When acclaimed filmmaker and creator extraordinaire David Lynch tragically passed away last year, affectionate words from both fans and colleagues flooded all corners of the internet. Given how multifaceted Lynch was, it’s no surprise that the tributes are too. In a career spanning over 50 years, Lynch continually developed and refined his distinctive approach and style by experimenting beyond convention to craft something unique.
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Why ‘Good Luck, Have Fun, Don’t Die’ (2026) Has a Secret Weapon in Haley Lu Richardson

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By Hayley Paskevich Verified, Natalie Quinn, Rebecca Rosen Verified
| Flips Screen Verified
It feels safe to say there won’t be another film this year that manages to be quite as zany and boundary-pushing as Good Luck, Have Fun, Don’t Die. Written by Matthew Robinson and directed by Gore Verbinski, the satirical sci-fi takes aim at society’s reliance on technology in a darkly entertaining way, explicitly targeting the normalisation of AI.
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