I first became aware of the work of Drummond Rennie almost by accident: By borrowing his office. It was the summer of 1997, and as a rising fourth-year medical student, I was spending a month at JAMA as the co-editor-in-chief of its then-medical student section, Pulse. Rennie, who was deputy editor of the journal at the time, was mostly traveling, so the staff installed me in his office, overflowing with books and manuscripts.