James Brewer on Muck Rack

James Brewer

  • CEO, Envision Wealth Planning and Contributor, Freelance
Chicago
As seen in: Color Research & Application, Forbes, CNBC, New York Post, Investopedia, Nasdaq, Yahoo, Forbes Japan, Rethinking 65, World Ports Organization
#ValuesBased #FinancialPlanning - Founder, @JBrewerCFP. We work with clients throughout the USA on #Financialfreedom #Financialliteracy #FinancialGoals
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Articles

London exhibition elicits the artistic tension between specific British and Ukrainian approaches to the human image

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By Alexa Laguna, James Brewer, Alina Pyatnova. Oil
| World Ports Organization
Along one side of the room are doll-like profiles under the title ‘Porcelain Flesh’ and portraits of royalty. Facing them (although facing as we shall see is not quite the appropriate word) from the other wall are images – by a different artist – of religious leaders from many of the world’s dominant faiths. This was the format of an extraordinary exhibition entitled Between Silence and Surface. The Appearance of Skin.
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Dulwich Picture Gallery celebrates Estonia’s great modernist painter, Konrad Mägi

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By Priya Rajan, James Brewer, Norwegian Landscape
| World Ports Organization
Like many young artists of his time, Konrad Mägi headed for Paris in 1907 hoping to make his reputation and his fortune. He was to be disappointed, condemning potential wealthy patrons as untrustworthy scoundrels. So Mägi turned his back on France and returned to his native Estonia, as a base to explore life in other European lands, notably Norway. A good thing too, for following his heart with novel personal styles was where his genius for respectively, portraits and landscapes, could flourish.
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Stubbs: Portrait of a Horse. National Gallery on how the artist gloriously transformed equine painting

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By Linh Nguyen, linh nguyễn, James Brewer
| World Ports Organization
While doing so, the 18thcentury artist remarkably found time to compile a 50,000-word treatise on the physique of the genus. An exhibition at the UK’s National Gallery highlights what a sensation his book was when published in London in 1766. His acute eye for anatomical perception enabled Stubbs to transform equine painting into a lodestar for many following generations.
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