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Jareh Das on Muck Rack

Jareh Das

Verified
(She/Her)
Lagos, London
As seen in: Ocula Ltd, CNN, CNN International, Financial Times, WePresent, The Culture Trip, Hyperallergic, Wallpaper* Magazine, Artsy, It's Nice That, The Art Newspaper and
Covers:  Culture, Art, Design and Architecture

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Jareh Das’s Biography

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I am a curator, writer, and researcher based between Nigeria and the UK who has written for publications including BOMB Magazine, DOMUS, Ocula, Cultured, CNN Style, PIN-UP and Nka Journal of Contemporary African Art.

Jareh Das’s Journalist Portfolio

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New Readings, New Meanings: Frida Orupabo Interviewed by Jareh Das - BOMB Magazine

New Readings, New Meanings: Frida Orupabo Interviewed by Jareh Das - BOMB Magazine

Frida Orupabo works with collage to undo the gendered and racist gaze.

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Yussef Agbo-Ola and an Architecture of Ecological Systems

Yussef Agbo-Ola and an Architecture of Ecological Systems

Artist, anthropologist, and architect, Yusef Agbo-Ola’s conceptual practice looks to many disciplines includi…

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Joy Matashi On Black Hair As Architectural Medium

Joy Matashi On Black Hair As Architectural Medium

Trained as an architect, artist Joy Matashi brings this West African Modernist heritage into the 21st century…

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Equitable Vitrines: Public Art and Contested Space

Equitable Vitrines: Public Art and Contested Space

Founded in Los Angeles in 2014 by Ellie Lee and Matt Connolly, the non-profit Equitable Vitrines responds to …

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Cinga Samson: 'a different conversation on representation'

Cinga Samson: 'a different conversation on representation'

Working predominantly in oil, Cinga Samson brings together realism with fantasy to celebrate youth, adorned w…

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Seeing Is Believing: Observations from Bamako Encounters - African Biennale of Photography | Cult...

Seeing Is Believing: Observations from Bamako Encounters - African Biennale of Photography | Cult...

At the heart of the 12 edition of "Bamako Encounters - African Biennale of Photography"- which is dubbed Stre…

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Articles

How Private Spaces Are Reshaping Nigerian Art Philanthropy

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By Jareh Das Verified
| ArtReview Verified
Here, philanthropy is deeply rooted in community-based practices and a shared sense of responsibility In Nigeria’s dynamic artworld, philanthropy has never been just about giving. It is also rooted in building platforms, ecosystems and futures. Women have been and continue to be at the forefront of this movement, redefining cultural stewardship.
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Tim Stoner Paints at His Own Pace

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By Annabel Downes, Jareh Das Verified
| Ocula Ltd
For Tim Stoner, painting is both a measure of time and an opportunity for rediscovery. Ocula met with the artist ahead of his solo show at Pace Gallery in London. Tim Stoner, Cave (2020–2024). Oil and gouache on linen. 205.5 × 274 cm. © Tim Stoner. Exhibition view: Negative Space, Pace Gallery, London (5 March–12 April 2025). Courtesy the artist and Pace Gallery. Photo: Damian Griffiths. When Tim Stoner feels lost in the studio, he turns to music.
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Agnes Waruguru’s Delicate Paintings Channel the Feminine and Familial

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By Jareh Das Verified
| Artsy Verified
Agnes Waruguru’s installation Homewares (2020) consists of a room with light pink walls and custom-designed wallpaper featuring repeated geometric patterns. On the wall is an abstract painting called Valencia (2019) and various miscellaneous objects like cans of Zesta orange marmalade, a kiondo (a traditional Kenyan handwoven basket), and a small, framed photograph of her mother.
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Interview

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What was your first job as a journalist?

University of Leeds Student Newspaper

Have you ever used a typewriter?

Yes, a decade ago

How is social media changing news?

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