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Karrmen Crey

As seen in: The Conversation, BC Studies
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Articles

From stereotypes to sovereignty: How Indigenous media makers assert narrative control Original

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By Ateqah Khaki, Dannielle Piper, Vinita Srivastava, Karrmen Crey
| The Conversation Verified
Over the last 30 years, we have seen exponential growth of Indigenous media and Indigenous media makers, especially here in Canada which has one of the largest repositories of Indigenous media. This includes films, TV shows, documentaries and even reality TV. But the road to get here hasn’t been easy. This is because Indigenous filmmakers, producers and artists have had to navigate the complex and often unfriendly terrain of Canadian media institutions and media production companies.
Open in Who Shared View Duplicates (3) Issue with article?

The Body Remembers When the World Broke Open  | BC Studies

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By Kathleen Hepburn, Elle-Maija Tailfeathers, Karrmen Crey
| BC Studies Verified
By Kathleen Hepburn and Elle-Máijá Tailfeathers (Directors) January 29, 2020 Review By Karrmen Crey Though many will recognize Elle-Máijá Tailfeathers for her remarkable body of short and documentary films (Bloodland [2011], A Red Girl’s Reasoning [2012], Bihttoš [2014], cəsnaʔəm, the city before the city [2017]), The Body Remembers When the World Broke Open (2019) is distinguished by being her first feature-length film, co-directed and co-written by Kathleen Hepburn (writer/director of...
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