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Kyle Smith on Muck Rack

Kyle Smith

Verified
Pittsburgh
As seen in: KBIZ-AM 1240 (Ottumwa, IA), The Big Read 2021: War and Peace, Illumination, Medium, MSN, National Institutes of Health, Nature, The Wall Street Journal, Wiley Online Library, Bandcamp Daily, Kickstarter, New York Post and
Music Director and Midday Host on 91.3fm WYEP Pittsburgh Listen at 91.3fm in Pittsburgh - wyep.org/listen
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Articles

The Real Project That Never Ends? Your Garage

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By Kyle Smith Verified
| Hagerty Media
Get automotive news, DIY tips, market trends, in-depth car profiles, and more right in your email inbox. Each fall in Northern Michigan, the weather changes before the leaves do. I know fall is near when I realize I’m working in my shop with the garage doors open for the first time since May, and when a morning commute by motorcycle calls for an extra layer or the heated grips.
Open in Who Shared Issue with article?

Is a 500cc MotoGP bike from 1989 truly unrideable?

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By Kyle Smith Verified
| MSN Verified
An interesting conundrum in motorsports is the outright speed of a vehicle compared to the perceived level of effort the driver must exert to achieve said speed. Listen to any modern race broadcast that includes radio clips or interviews from drivers, and often you'll hear how difficult it is to drive a car while maintaining track position. It's easy to understand that some drivers know how to get more out of a given car than anyone else, but not all race cars are created equal.
Open in Who Shared View Duplicates (2) Issue with article?

'Franz' review: A kaleidoscopic Kafka biopic

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By Kyle Smith Verified
| MSN Verified
“He believed that he had failed as a son, a man, a writer,” someone observes of the dark, brooding, recessive and incandescently weird Franz Kafka in “Franz.” “He decided to succeed as a victim.” The moment is appropriately forlorn, off-key and mordant in the hands of the veteran Polish director Agnieszka Holland, who in this film seeks to revise the form of the biopic into something like a Kafkaesque excursion into the sinister and surreal.
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