There’s a moment on the road out of the city, windows up, Phil Collins climbing toward that drum fill in “In The Air Tonight,” where the Cadillac OPTIQ stops being a press car and becomes a problem. The problem being that I didn’t want to give it back. We had it for a week. By Sunday night I’d emailed Cadillac asking for a few more days, which is not a thing I normally do. Press loans are like footballers’ wives. They come, they go, you learn not to get attached.