Skip To Main Content
Marko Gluhaich on Muck Rack

Marko Gluhaich

Verified
New York
As seen in: Frieze, BOMB Magazine, Cleveland Review of Books
Associate Editor @friezeofficial

Get in touch with Marko

Contact Marko, search articles and posts on X, monitor coverage, and track replies from one place.

Learn more about Muck Rack

Actions

Share this page

Marko Gluhaich’s Biography

Read Full Bio →

Senior editor at frieze magazine

Marko Gluhaich’s Journalist Portfolio

See all →
Tolia Astakhishvili and James Richards: Innovations in Architectural Film

Tolia Astakhishvili and James Richards: Innovations in Architectural Film

View article →
‘We’re all Responsible’: Two New Films Grapple with Amorality

‘We’re all Responsible’: Two New Films Grapple with Amorality

View article →
The Humour in Michael Asher’s Institutional Critique

The Humour in Michael Asher’s Institutional Critique

View article →
Petrit Halilaj Reads History in Classroom Desks

Petrit Halilaj Reads History in Classroom Desks

View article →
Rirkrit Tiravanija Doesn’t Want to Be the Centre of Attention

Rirkrit Tiravanija Doesn’t Want to Be the Centre of Attention

View article →
‘Various Earths’: On the 35th Bienal de São Paulo

‘Various Earths’: On the 35th Bienal de São Paulo

View article →

Articles

Having a Bust with the Boys: On Leslie A. Fielder’s “Love and Death in the American Novel”

|
By Marko Gluhaich Verified
| Cleveland Review of Books Verified
Leslie A. Fiedler | Love and Death in the American Novel | NYRB Classics | April 2026 | 512 Pages To today’s readers, Huck and Jim are no longer the strange bedfellows they once seemed. Neither are Chingachgook and Natty Bumppo. Nor Ishmael and Queequeg. But when Leslie Fiedler’s essay “Come Back to the Raft Ag’in, Huck Honey!” appeared in the Partisan Review in 1948, this was far from so.
Open in Who Shared Issue with article?

How a Crinkle-Crankle Wall Shaped the 2026 Serpentine Pavilion

|
By Isabel Martinez Abascal, Alessandro Arienzo, Marko Gluhaich Verified
| Frieze Verified
Frieze PublishingYes, email me reviews, offers, and opinions by artists, writers, and editors from Frieze Frieze EventsYes, email me Frieze Events Inc and Frieze Events Ltd’s global programme information including special offers and benefits Over the past 25 years, the Serpentine Pavilion has showcased the intersection of art and architecture, serving as a public meeting spot in the heart of London’s Hyde Park.
Open in Who Shared Issue with article?

Making Connection Possible: the 59th Carnegie International

|
By Marko Gluhaich Verified
| Frieze Verified
Frieze PublishingYes, email me reviews, offers, and opinions by artists, writers, and editors from Frieze Frieze EventsYes, email me Frieze Events Inc and Frieze Events Ltd’s global programme information including special offers and benefits The curators of the 59th Carnegie International derived its title, ‘If the word we’, from a commissioned essay by one of the exhibition’s ‘thought partners’, writer Haytham el-Wardany. ‘What if the word we becomes a space for listening?’ he writes.
Open in Who Shared Issue with article?
See all 46 licensed articles (59 Total)