Max Burkhalter on Muck Rack

Max Burkhalter

As seen in: Architectural Digest, Financial Times, The Telegraph, Bon Appetit, The Daily Telegraph, Coastal Living, Southern Living Magazine, ELLE Decor, Houston Press, Domino, AD Magazine Spain and
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Articles

Estilo art déco: Un elegante departamento de los años 20 renace tras remodelación

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By Paola Singer Verified, Max Burkhalter
| Architectural Digest Mexico Verified
Un hermoso departamento estilo art déco que recuperó la vida tras una remodelación El creador de Stranger Things Matt Duffer ha pasado la mayor parte de su carrera creando mundos de ficción inmersivos. Sin embargo, cuando se trató del pied-à-terre de Manhattan que compró recientemente con su prometida, Sarah Hindsgaul, no podía imaginar las posibilidades. El centenario departamento nunca había sido reformado, aparte de un triste falso techo añadido en los años cincuenta.
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Nel pied-à-terre a Manhattan del co-creatore di Stranger Things ci sono un divano brutalista di quasi 5 metri e pareti color cioccolato

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By Paola Singer Verified, Max Burkhalter
| Architectural Digest Italia
Stranger Things, il co-creatore della serie TV ha rinnovato un pied-à-terre a Manhattan. Matt Duffer, co-creatore di una delle serie TV più celebri di sempre, Stranger Things, ha trascorso la maggior parte della sua carriera a creare mondi immaginari e immersivi. Tuttavia, quando si è trattato di rinnovare il pied-à-terre di Manhattan che ha recentemente acquistato con la sua fidanzata, Sarah Hindsgaul, non riusciva a immaginarne le possibilità.
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Matt Duffer, co-créateur de Stranger Things, ouvre les portes de son pied-à-terre à Manhattan

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By Paola Singer Verified, Max Burkhalter
| AD Magazine France
Matt Duffer, co-créateur de la série Stranger Things, a passé la majeure partie de sa carrière à imaginer des univers fictifs immersifs. Pourtant, au moment de se projeter dans l’appartement de Manhattan qu’il venait d’acheter avec sa fiancée, Sarah Hindsgaul, il peinait à en voir le potentiel. Ce bien centenaire n’avait jamais été rénové, à l’exception d’un plafond suspendu austère ajouté dans les années 1950.
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