Meg Masseron is a theatre journalist based in NYC, and a graduate of Marymount Manhattan College, where she studied Digital Journalism and Theatre History. She most recently served as Playbill's staff writer, and is now excited to freelance again. Ambitiously, she began her journalism career at the age of 18 by contributing multimedia content and listicles to BuzzFeed. (You could also say she began her career when she created her own weekly newspaper in the 5th grade called "Potato Daily," but that's a different story.) She began professionally freelancing after just one year studying at Marymount Manhattan College, with her first published essay in TDF Stages: "Finding a Way to Love 'Phantom' After Trauma." She went on to have guest bylines in American Theatre, TheaterMania, and Theatrely, before joining Playbill in 2022. Meg is passionate about theatre criticism, neurodiversity and trauma/PTSD recovery, musicals that debuted between 1980 and 1995, intersectional feminism, accessibility and disability justice, and re-watching season three of Bridgerton on a near bi-monthly basis. She tends to write about all of these things, save for the obsessive Bridgerton binges.
