Namrata Joshi on Muck Rack

Namrata Joshi

India, Southern Asia
As seen in: Cinema Express, The New Indian Express, MSN India, The Guardian, The Times of India, Al Jazeera English, Firstpost, Mint, Outlook (India), Rediff.com, The Hindu, Khaleej Times and
Author, Reel India: Cinema off the Beaten Track; Sr Programmer @IFFLA; Consulting Editor @XpressCinema; Curator Market Projects #CineV-CHD
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Articles

Cinema Without Borders: No Man’s Land — Al Mahattah (The Station)

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By Namrata Joshi
| The New Indian Express Verified
Ishaq’s exploration of the feminine energy acknowledges diversity and flaws. No two women are the same, and none of them is perfect. They are united in their struggle for survival, for which they can go to any length. They are also striving towards the same noble goal: Peace.
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Cinema Without Borders: No Man’s Land — Al Mahattah (The Station)

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By Namrata Joshi
| Cinema Express
It’s a truth universally acknowledged that the worst casualties of wars aren’t just the soldiers on the battlefronts but the women, children and families back home. However, pushed to the brink, they have often displayed strength, courage, resilience and resourcefulness in the face of such desolation and extreme adversity. Yemeni-Scottish filmmaker Sara Ishaq brings one such admirable story to the screen in her fiction feature debut, Al Mahattah (The Station).
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Cinema without borders: Sanguine — blood bath

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By Namrata Joshi
| MSN India Verified
Namrata Joshi Marion Corroller's Sanguine (English title Species ) has red written all over it. Not only is it bookended by scenes of a heavy flow of sanguine fluid but almost every other frame oozes blood making its French title sound far more apt and expressive than the English name. The opening sequence sets the tone with a rhapsodical carnage in a fast food joint called Bloody Burger.
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