Noah Millman on Muck Rack

Noah Millman

As seen in: The New York Times, USA Today, Yahoo News, Notes from the Middleground, POLITICO, Substack, Yahoo Sports, Yahoo Sports Canada, Foreign Policy Magazine, Yahoo and
Writer, filmmaker, former pirate, late-adopter. Political writer at large. Film and theater critic @ModAgeJournal. What would Shakespeare tweet?

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Noah Millman’s Journalist Portfolio

Burning Down the House

Burning Down the House

“Last Night in Soho” tests whether we can see the past as anything other than more of the present. (Film Crit…

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Articles

The latest essay every day.

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By Noah Millman
| Modern Age Journal Verified
If you were living in a golden age, would you know it? Did the Romans of Augustus’s time know that theirs was the most extensive, populous, and developed empire the world had ever known? Did the Elizabethans know that despite having just lost its last toehold in Calais, and being far outmatched in power by Spain and France, England was nonetheless laying the foundations of the most extensive, populous, and developed empire the world would know?
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What Is a Zionism For the Palestinians?

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By Noah Millman
| Substack
Alana Newhouse, editor-in-chief of Tablet magazine, is apparently getting three cheers for her new piece, “Zionism For Everyone” from the usual voices o’ th’ right-hand file. I understand why; it’s playing their song. She begins by asking why anti-Zionism should be burgeoning at a time when the world is facing so many compelling challenges—some promising, some terrifying, some both—any of which will do far more to transform our lives than whatever happens in a small slice of the Middle East.
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The latest essay every day.

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By Noah Millman
| Modern Age Journal Verified
Among my many activities outside of writing for Modern Age, I am the vice chair of the board of Red Bull Theater, a classical company based in New York City. The company is named for a Jacobean playhouse that illegally performed during the years of Puritan rule, and it focuses on producing plays written in heightened language, with an emphasis on lesser-known works from the Elizabethan and Jacobean eras. One important distinguishing feature of plays from that era is how many characters they have.
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