Peter Feher on Muck Rack

Peter Feher

Cleveland
As seen in: Cleveland Classical, Wiley Online Library, MDPI, ACS Publications, Flipboard, Cleveland.com, Asia Times, Poets&Quants, Eurotopics, San Francisco Classical Voice, Remix News and Views and
Editing and writing @SFCV, reviewing @CleveClassical
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Articles

Pianist Marc-André Hamelin traces ‘thoughtful evolution’ of piano at Severance (review)

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By Peter Feher
| Cleveland.com
by Peter Feher | ClevelandClassical.com CLEVELAND, Ohio — Franz Joseph Haydn was one of the first composers to recognize the untapped potential in a promising new keyboard instrument called the fortepiano, which, as the name suggested, could play both loud and soft. By the time that Sergei Rachmaninoff was writing his most virtuosic piano works some 150 years later, he had exploited the full sweep of the instrument, from crashing bass chords to glassy high notes of exquisite fragility.
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Conductor Daniele Rustioni, organist Paul Jacobs bask in Mediterranean spirit with The Cleveland Orchestra (review)

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By Peter Feher
| cleveland.com
By Peter Feher | ClevelandClassical.com CLEVELAND, Ohio — When the sun rises on the sea at the beginning of Claude Debussy’s La Mer, there’s no coastline or human civilization in sight. Dark, rumbling waves in the timpani and low strings have brightened to reveal the full orchestra in sublime, surging phrases. We could be anywhere on the wide-open ocean. But listeners won’t be left adrift in Debussy’s score this weekend at Severance Music Center.
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Manacorda, Cleveland Orchestra magic leaves nothing ‘Unfinished’ at Severance (review)

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By Peter Feher
| cleveland.com
By Peter Feher CLEVELAND, Ohio — Classical musicians have exhausted just about every attempt to complete Franz Schubert’s “Unfinished” Symphony in the two centuries since the composer’s death at age 31. But the Cleveland Orchestra doesn’t give in easily to creative despair. With guest conductor Antonello Manacorda, the ensemble has fashioned an effective, elegant substitute for the “missing” movements of Schubert’s score. A subscription is required to read this story. Subscribe now to continue.
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