Rhoda Feng on Muck Rack

Rhoda Feng

Verified
(She/Her)
Los Angeles, New York
As seen in: Los Angeles Review of Books, The New York Times, Financial Times, The Guardian, The Washington Post, Los Angeles Times, NPR, The Atlantic, The Economist, The New Yorker, Salon and
Covers:  books & theater

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Rhoda Feng’s Biography

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freelance writer and critic covering books and theater for 4Columns, Artforum, BOMB, frieze, the Paris Review, the Nation, Dissent, the New Republic, the TLS, Foreign Policy, the Boston Globe, the New York Times, and more.

History editor @ LARB: rhoda@lareviewofbooks.org

Rhoda Feng’s Journalist Portfolio

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The curious case of the private eye artist and the government inquiry

The curious case of the private eye artist and the government inquiry

The result is “Questioning,” a 55-minute theatrical production premiering July 10 at New Theater Hollywood be…

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‘The Loved Ones’ Review: So Much for That Peaceful Irish Retreat

‘The Loved Ones’ Review: So Much for That Peaceful Irish Retreat

Sharp performances from Maryann Plunkett and the other cast members lend weight and texture to Erica Murray’s…

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‘Othello’ Review: Wendell Pierce Steps Into Iago’s Twisted Web

‘Othello’ Review: Wendell Pierce Steps Into Iago’s Twisted Web

“What you know, you know,” goes one of the more famous lines spoken by the evil Iago. Yet Shakespeare’s trage…

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Healing rituals

Healing rituals

Anna Badkhen's To See Beyond emerges from a life spent in proximity to catastrophe. A former war corresponden…

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Met Opera's El Último Sueño de Frida y Diego Imagines Feminist Revenge

Met Opera's El Último Sueño de Frida y Diego Imagines Feminist Revenge

Frida Kahlo and Diego Rivera are reunited on the day of the dead. Written by Gabriela Lena Frank and Nilo Cru…

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When the World Split Open - Dissent Magazine

When the World Split Open - Dissent Magazine

While the case that resulted in the conviction of fifty-one men for the rape of Gisèle Pelicot last year was …

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Articles

Mark Morris’s Summer Season

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By Rhoda Feng Verified, Jane Bua Verified, Sheldon Pearce Verified
| The New Yorker Verified
Shortly after the conclusion of the fourth season of the Netflix blockbuster “Stranger Things,” in 2022, one of the series regulars, Joe Keery, released “Decide,” his second album as Djo. His career as a musician largely existed in the huge shadow of the show, and for a while it seemed as if it would stay that way—at least until, curiously, nearly two years later, one of the songs on “Decide,” the wistful “End of Beginning,” went viral on TikTok.
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‘The Loved Ones’ Review: So Much for That Peaceful Irish Retreat

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By Rhoda Feng Verified
| The New York Times Verified
You have been granted access, use your keyboard to continue reading. ‘The Loved Ones’ Review: So Much for That Peaceful Irish Retreat Sharp performances from Maryann Plunkett and the other cast members lend weight and texture to Erica Murray’s play, even when the script becomes predictable.
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The Dance Legend Lucinda Childs’s “Momentary Reprise”

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By Brian Seibert, Sheldon Pearce Verified, Vince Aletti, Rhoda Feng Verified
| The New Yorker Verified
The police-drama template gets a vigorous update in the Saudi director Haifaa Al Mansour’s twisty mystery “Unidentified.” A teen-age girl’s body is found in a desert near Riyadh; the police need a woman to view the corpse, and the only one at the station is Nawal (Mila Al Zahrani), a young administrative assistant and a solitary divorcée who’s hooked on a true-crime series. When officials fail to identify the victim, Nawal hunts for the killer.
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